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UrbanObserver
Saturday 30th August 2025
Oxford's oldest independent student newspaper, est. 1920
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Culture
Oxford Commas at the Fringe – Interview
The Oxford Commas are a contemporary gender-inclusive a capella group who had their Fringe debut this year. They kindly agreed to talk to Cherwell about the trials and tribulations...
Culture
Lara Machado
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‘Aca-demic Weapons’ at the Fringe: Oxford Commas Review
★★★★☆ A-capella groups from Oxford have long been favourites at the Edinburgh Fringe, with Out...
Culture
Xander Kwon
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‘Do Zombies Dream of Undead Sheep?’ at the Fringe
★★★⯪☆ Do Zombies Dream of Undead Sheep? is a one-man, one-puppet musical journey through the...
Culture
Nicole Palka
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‘Timestamp’ at the Fringe: Existing in the ‘now’
★★★★☆ Timestamp is a part-theremin, part-dance exploration of womanhood, expectation, and time. Brought to the...
Culture
Nicole Palka
-
Latest
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We need diverse books now more than ever
Sally Christmas reflects on the importance of diverse literature in the current political climate
Spike Lee Doesn’t Have It
Imogen Edwards-Lawrence finds fault with the Netflix reimagining of Spike Lee's classic film
Blockbuster bust-up?
This might be the year when mainstream movies shake up awards season
The Death of Stalin review – ‘it straddles that oh-so-narrow line between repellent and comic’
Christopher Goring enjoys the satire of Iannucci’s warped world behind the Iron Curtain
Poirot’s enduring appeal
Branagh’s Murder on the Orient Express reminds us why the detective remains so intriguing, writes Raffaella Sero
All That Fall review – ‘Powerful and perturbing, with something of the uncanny about it’
Sam Rice immerses himself in a stage adaptation of Beckett's radio play
The strange death of Constable’s rural idyll
Daniel Villar explores how the English countryside has changed since John Constable painted The Cornfield
Five minutes with… Sos Eltis
This week, we chat to Sos Eltis, vice principal of Brasenose College and senior member of OUDS
Adolescent queer love in ‘Call Me By Your Name’
Angelica De Vido finds the rich exoticism of Italy a perfect compliment to this tale of summer homoeroticism
Fairytales can show us the horrors of Hitler’s Germany
The stories of Günter Grass bring Germany’s repressed trauma into the light
A gendered rewatching of The Silence of the Lambs
25 years on, Clarice Sterling's defiance of the patriarchy is as relevant as ever
The late Mr Salinger deserves his enduring reputation
The Catcher in the Rye encapsulates central tenets of our modern world, writes Barney Pite
A beastly tale of life and death
Josephine Southon reflects on the animals and beasts in Grimms' fairy tales
Those Who Follow review – “an appreciation of some too often ignored parts of this city we all call home”
Matthew Roberts explores the different faiths of modern Oxford, as presented in the exhibition Those Who Follow
Confessions of a Drama Queen: The Final Showdown
Our drama queen's term ends, not with a bang but a restraining order.
Passion over party in Pasternak’s Russia
Maria Minchenko marks the Russian Revolution centenary by casting her mind back to one of cinema's classics
Science fiction that shaped the Revolution
Daniel Antonio Villar looks at the impact of Red Star, by Alexander Bognadov
Philip Pullman’s La Belle Sauvage: His Darkest One Yet
Raffaella Sero reviews Philip Pullman's latest novel
Hollywood’s glamourising of Beauty and the Beast buries its troubling implications
21st century reimaginings of classic fairytales do not address the dark politics that underpin them. Susannah Goldsbrough explores.
Preview: ‘Lovesong’ – “one of the best pieces of student theatre this year”
John Livesey is blown away by a preview of the sold-out 'Lovesong'
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