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UrbanObserver
Tuesday 1st July 2025
Oxford's oldest independent student newspaper, est. 1920
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Culture
Reviving the symposium at the Ashmolean Krasis programme
Dara Mohd, herself a Krasis Scholar, converses with Dr Jim Harris about his object-centred symposium program, Krasis, at the Ashmolean Museum.
Art
Dara Mohd
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‘This Room Their Lives’ in Magdalen College’s Waynflete building
Every Magdalen member remembers their first encounter with the Waynflete Building. Sticking out a...
Art
Josie Stern
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In More, Pulp aren’t just trading on nostalgia – they’re fresh
In a year where many are talking about one Britpop band in particular –...
Music
Tom Cockburn
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Perhaps, Oxford
We met at a Latin meeting hosted by the Oxford Ancient Languages Society at...
The Source
Ngoc Diep
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Science fiction that shaped the Revolution
Daniel Antonio Villar looks at the impact of Red Star, by Alexander Bognadov
Philip Pullman’s La Belle Sauvage: His Darkest One Yet
Raffaella Sero reviews Philip Pullman's latest novel
Hollywood’s glamourising of Beauty and the Beast buries its troubling implications
21st century reimaginings of classic fairytales do not address the dark politics that underpin them. Susannah Goldsbrough explores.
Preview: ‘Lovesong’ – “one of the best pieces of student theatre this year”
John Livesey is blown away by a preview of the sold-out 'Lovesong'
Review: ‘Yellow’ – “sensitive and complex”
Zad El Bacha is highly impressed with 'Yellow', an adaptation of Charlotte Perkin Gilman's 'The Yellow Wallpaper', at the Pilch
Five Minutes With… Hugh Tappin
In our final interview of term, we chat to Hugh Tappin, of Nitrous Cow Productions
Lucy Rose enraptures and comforts her audience in Oxford
Ollie Braddy reflects on an atmospheric evening of intricate vocals set against the backdrop of a 19th century church
No soggy bottoms, as Channel Four puts the icing on the cake
The move may have halved its viewing figures, but hasn't diminished any of its charm
The insincerity of the female nude
Women should not be afraid to reclaim their naked bodies, writes Priya Vempali
Memorable sax solos and individual flair at the Varsity jazz-off
If this show was about demonstrating the very best they can do, then Oxford delivered
Mountains review – ‘uncomfortable and immersive’
Michael O'Connor is impressed by this unorthodox performance.
Rock’s best storyteller
"Darnielle's new novel confirms the status that Rolling Stone granted him; Rock's best storyteller", writes Barney Pite.
House of Fear and the reinvention of fairytale
Libby Cherry writes about the feminist undertones to Leonora Carrington's The Hearing Trumpet
“There is a selfish core to Mark that is the sort of thing that a sitcom character needs”
Comedian and Peep Show star David Mitchell talks to El Blackwood about the similarities between him and Mark Corrigan.
Ten years on, Burial’s ‘Untrue’ is still dripping with raw emotion
Joe Bavs reminisces on an experimental classic
As You Like It review – ‘Slightly flat, with a twist of theatrical magic’
Shared Experience’s reinterpretation of As You Like It is surprising and worth a watch, writes Harry Hatwell
Five minutes with: Audrey, the mysterious figurehead of The Oxford Revue
This week, we chat to Audrey, the Oxford Revue’s mysterious icon.
‘Twelfth Night’ review – ‘The Luscombe effect strikes again’
The RSC’s new version of Twelfth Night is an innovative reinterpretation, writes Katie Sayer
‘Volpone’ review – “Overdone accents but an otherwise fantastic production”
Amelia Coen enjoys Seeing Hand Production's witty Blackpool update of Johnson's satire
‘Volpone’ preview – “a very potent type of dramatic humour”
John Livesey is excited by 'Volpone', playing at the Keble O'Reilly in 7th week
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