Tuesday 14th October 2025

Culture

Spike Lee’s lackluster remake: Highest 2 Lowest

There is no reason why a remake should remain inferior to its source material; even less so when it’s a ‘reinterpretation’ by an auteur as opposed to a cynical...

One book, 500 years of art: The History of Art in One Sentence

★★★★☆ Former Wadhamite Verity Babbs has created a practical guide to the history of art...

The Librarians (2025) at the Bodleian: reviewed

Kim A. Snyder’s The Librarians (2025) draws the audience into a pernicious web of...

Be brave, Oxford: Let’s put creativity back in the creative arts

Welcome back, Oxford. While you were away preparing for the next academic year, or...

Review: ‘Tis Pity She’s a Whore – ‘A drama of extremes’

John Ford’s ‘Tis Pity She’s a Whore, working within the already violent genre of the revenge tragedy, has to be one of the most...

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Review: Endgame – ‘Nothing is funnier than unhappiness’

The play invites us to laugh at our powerlessness in the face of an apocalyptic fate.

A literary map of Oxford

Look no further for the perfect afternoon dawdle, as you chase the ghosts of literary greats through the town.

Should we judge a book by its cover?

Maybe we need to start giving a chance to the books we wouldn't usually take a second glance at. 

Blood is compulsory: The films of Martin McDonagh

In these uncertain times, his films speak to us more than any traditional morality tale could.

Papicha, power, and cinematic patriotism

How can we say that Papicha is Algerian, if the film was banned without any explanation in the country shortly before its release?

Review: NUTS – ‘a harrowing portrait of deceit and desire’

NUTS works in its ability to keep the audience on edge, waiting for the delicately thin emotional facades the characters have built to come crashing down. 

“Mummy said I’m pretty”: Nepo babies on the runway

What positive changes are the people born into this system going to advocate for?

‘The Pink City’: Ten generations of Jaipur gems

Cherwell visited the Choudhary family's prestigious jewellery collection, now almost 300 years old.

Lessons From A Taiwanese Coaster

I woke up in a world Where everything was beautiful, And nothing hurt.

Ovid meets modern identities in Sap

This will certainly be a loose retelling of Ovid’s Daphne and Apollo, but a dutiful one nonetheless.

Oxford’s first Hip-Hop Society breaks it down

As Oxford's newest musical society explores ways to facilitate a much-needed space for hip-hop music, only one question springs to mind; where have they been all this time?

Review: Les Liaisons Dangereuses at the Oxford Playhouse – “Nic Rackow is revelatory” 

This new production of Les Liaisons Dangereuses, a glamorous, engrossing period drama, showing at the Oxford Playhouse, is elevated by its stars into one of the great shows of the year. 

Reinventing the epistolary novel

It looks like, then, the epistolary novel isn’t dying out completely—just reinventing itself.

Review: Beetlejuice, Beetlejuice

Burton’s famous gift for mixing the dark and eerie with the fun and satirical shines through once again.

Oxford Horror Soc, un-earthed

The Oxford Horror Soc, led by Izzy Reese, is Oxford’s first and only society dedicated to the on-screen horror genre.

The com(m)e(n)t

Scrunching it into a ball,  you toss it atmospheric, out of sight. 

Candles

Dreams are made of candles, pinpricks of a deeper light.

Charity shop pirates: Is second-hand shopping as sustainable as we think?

We're applying a more-is-more attitude to what ought to be a sustainable resource.

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