Music

St Anne’s goes All-Steinway: A purposeful and bold commitment to music

In a move that lives up to its motto of ‘Consulto et Audacter’ (purposefully and boldly), St Anne’s College has become the first in Oxford to achieve ‘All-Steinway School’...

Culture Miriam Hussain -

Highway Elegies: Living Bruce Springsteen’s ballads

A tantalising balance of folk, country, soul, and rock ’n’ roll, Bruce Springsteen is...

Culture Cici Zhang -

Jacob Collier is on scintillating form at Love Supreme

Despite being a seven-time Grammy Award winner, it was only at the 2025 Love...

Music Susan Yu -

In More, Pulp aren’t just trading on nostalgia – they’re fresh

In a year where many are talking about one Britpop band in particular –...

Music Tom Cockburn -

Latest

A love letter to Oxford’s music scene

In a city of dreaming spires, where casual magic hangs in every cobbled lane at golden hour and each paradisal quad in bloom, I...

Cherwell’s albums of the year so far

Ten albums that we've judged to be among the best of this weird, weird year so far

Review: Phoebe Bridgers’ ‘Punisher’

with each song, the world becomes blurrier, as if drunk, only to be immediately sharpened again with the piercing nature of Bridgers’ lyrics

Review: Khruangbin’s ‘Mordechai’

Part of Khruangbin’s marketing campaign for Mordechai features an update to their online playlist curator, AirKhruang. The 2015 website allowed listeners to create playlists for their...

In defence of minimalism

People like being right about things - they like being in control.

Now That’s What I Call… Poetry?

Somebody once told me there are a lot of bad song lyrics out there. Imagine, for every subtle, elegant song you hear, there’s bound...

Has ‘Over the Rainbow’ been overcooked?

As ‘We’ll Meet Again’ rang through the streets of the UK on VE Day on Friday 8th May, with echoes of the previous night’s ‘Somewhere Over...

Notes on Improvisation

Improvisation is a strange topic to think about. On the surface, it seems to be fairly simple: know the chord progression to follow, choose...

Album Review: Lady Gaga’s ‘Chromatica’

Promoting her latest album on Twitter, Lady Gaga told fans: “listen from beginning to end, no need to shuffle, this is my true story.” Indeed, Chromatica...

how i’m feeling now: Hyper-Pop Masterpiece for the Lockdown Generation

Charli XCX’s lockdown productivity is putting us all to shame. On the 6th of April she announced to fans via a public Zoom meeting that...

Review: The 1975’s ‘Notes on a Conditional Form’

Notes on a Conditional Form, the fourth studio album by The 1975, has created its own chaotic history even before its release. The band’s latest record...

Historical Opera: A Primer

The ancient Greeks were so moved by music that in their mythological conception, the father of songs, Orpheus, could move even the rocks. In less fanciful...

Songs of a Pride Cancelled

Pride 2020, which was supposed to be a celebration of our place in the world looking forward to liberation for even more LGBT+ people...

Streaming and the seismic shift in music release formats

Like many of us quietly fascinated with Matty Healy’s prolific output, I recently put in a shift to listen through The 1975’s sprawling new album Notes...

Live Album Review: Vulfpeck at Madison Square Garden

Madison Square Garden, NY, late 2019. A packed house. We see a stage, empty save for Woody Goss...

‘Don’t Walk Away in Silence’: Ian Curtis Remembered

Monday 18th May marked forty years since Ian Curtis, the lead singer of Joy Division, took his own life by hanging himself in his...

The New Music Celebrity

The glossy pages of the likes of NME and Rolling Stone were pored over by music aficionados in the past, hoping for a snippet of the intent of...

“Ladies, ladies, ladies, ladies” – the women at the forefront of lockdown releases

My initial self-isolation playlist contained what I thought I would want to listen to during this indoor period - wistful folk-rock and simmering ambient, the types...

“It’s Not a Phase, Mom!” – In Defence of Teenage Clichés

“I’m not like other girls,” comes the mocking cry from my little sister across the kitchen table – a phrase I’m pretty sure I’ve never actually...

Album Review: Hayley Williams’ ‘Petals for Armor’

In ‘Misery Business’, Paramore’s 2007 breakthrough hit, Hayley Williams claimed that “second chances, they don’t ever matter / people never change”. She’s been proving...

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Music

St Anne’s goes All-Steinway: A purposeful and bold commitment to music

Highway Elegies: Living Bruce Springsteen’s ballads

Jacob Collier is on scintillating form at Love Supreme

In More, Pulp aren’t just trading on nostalgia – they’re fresh

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