Monday 30th June 2025

Music

In More, Pulp aren’t just trading on nostalgia – they’re fresh

In a year where many are talking about one Britpop band in particular – cough, cough, Oasis – the often-forgotten band of the same era, Pulp, have stolen the...

Bonding, identities, and connections through music

The feeling is both shared and unique to that moment

The cantatas of Bach with New Chamber Opera

Recently, students from the University of Oxford have blessed the city with several performances...

Review: Bush! The Musical – ‘Is our actors singing?’

While the genre of historical musical theatre centred around US politicians may be dominated...

The vintage sound of The Vaccines

As they prepare to drop their fourth album, indie-rock sensation The Vaccines tell Susannah Goldsbrough what it's like to be old fashioned rockers in a post-punk world.

Sia and her wig: disguise or clever marketing tool?

Wearing a wig allows Sia to hide away from fame, but it may also serve another purpose

Doctor Feelgood offers a happy release from Oxford stress

Doctor Feelgood delivers a homespun and happy night at the Bullingdon

A bombastic celebration of Europe, sexual freedom, and gelato

Phoenix’s unabashedly optimistic latest album is hard to dislike

My album of the year: Leonard Cohen’s valediction

The Canadian's swansong ranks among his greatest albums

2017: The year of Jack Antonoff

Few producers expose the emotions of female artists like the man who has come to define pop

Five playlists for all your vac moods

Tunes to help you survive the different stages of the Winter vacation

Melodrama Review: honest without being embarrassing

A considered and uncontrived album that makes even the drama of a hangover seem profound

‘Revival’ review – mature and compelling as ever

The rap god still lives up to his legacy

Why do we love anti-Christmas songs?

Lydia Stephens ponders why melancholic Christmas songs like 'Fairytale of New York' and 'Last Christmas' are often the most successful

This Old Dog review – ‘Convincing signs of newfound maturity’

Ollie Webb reflects on 'one of the best albums of 2017' - Mac DeMarco’s This Old Dog, which explores themes of old age and his relationship with his father.

Is it possible to release too much music?

Maxim Mower discusses the current trend of constant releases in Hip-Hop

In conversation with Matt Maltese

Ollie Braddy discusses 'brexit pop' and the London music scene with singer-songwriter Matt Maltese

Lucy Rose enraptures and comforts her audience in Oxford

Ollie Braddy reflects on an atmospheric evening of intricate vocals set against the backdrop of a 19th century church

Memorable sax solos and individual flair at the Varsity jazz-off

If this show was about demonstrating the very best they can do, then Oxford delivered

Ten years on, Burial’s ‘Untrue’ is still dripping with raw emotion

Joe Bavs reminisces on an experimental classic

Julien Baker ‘Turn out the lights’ review – rawness and painstaking detail

Julien Baker exposes the harsh realities of her mental health struggles, writes Ollie Braddy

The ‘new’ jazz must be seen as well as heard

The latest offering from the 'new' Jazz scene is an innovative success, writes Harriet Davis

In The Aeroplane Over The Sea – “experimental and weird”

Barney Pite reexamines one of indie rocks most enigmatic classic albums

Why the Sgt. Pepper’s show cannot be missed

Kenji Newton is impressed with the Oxford Beatles' recreation of the classic album

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