Film

How cinema has taught us to see Autumn

Autumn is clearly a time for comfort and reflection, a fact the film industry has learnt very well and pumps into new releases.
Culture Amalia Dasgupta -

A jarring Mann: ‘Fatherland’ (2026) in review

'Fatherland', which recounts celebrated Modernist author Thomas Mann’s return to a Germany in wreck and rubble, deals with great personal malaise against a backdrop of great political unease.
Culture Freddie Lewis-Hedley -

NAZA: The most important film of the year

The filmmakers of NAZA clearly know that beyond physical distance, emotional distance is what allows the violence in Gaza to continue, and shows us just how easy it is to ignore what is going on right under our noses.
Culture Willow Jopp -

The problem with Nolan’s ‘The Odyssey’

Nolan had all the tools for greatness. Instead, to my eternal frustration, his 'Odyssey' will always only be just alright.
Culture Kelly Yu -
Latest

The Oxford Cinema & Café: A profile

"The opening of The Oxford Cinema & Café marks a new chapter in Oxford’s cinema scene: a move further towards independent cinema."

The Case for Reincarnated Romances

"Reincarnation romance films are sometimes silly, mostly melodramatic, but always overlooked as a subgenre."

Barry Lyndon – Kubrick’s ultimate antifilm?

Barry Lyndon has always been dismissed within Kubrick’s filmography. While he is a filmmaker known for his versatility across genres, Barry Lyndon still sits...

Cinema’s hidden gems: Daisies (1966)

Whilst mainstream cinema more often favours the safe and the familiar, some of the most remarkable films ever made are those that dismantle the...

September 5: Journalism drama doesn’t question the facts enough

Set during the 1972 Munich Olympics, Tim Fehlbaum’s September 5 tracks the ABC Sports crew’s coverage of the Israeli athlete hostage crisis in the...

Adolescence: Can TV spark radical change in young men?

Adolescence is just another example of art acting as a conversation piece. The recent series has inspired much conversation after it has highlighted how...

Please, no more biopics!

A few weeks ago, Sam Mendes announced his casting for the Beatles biopics he aims to release in 2028. As I recall from conversations...

Going dreamy: The singular will of David Lynch

In a behind-the-scenes clip from David Lynch’s final project, Twin Peaks: The Return, a crew member tells him that they only have two days...

Missing the plot of ‘Wuthering Heights’: Is the book always better?

Sophie Price discusses Emerald Fennell's upcoming film adaptation of Withering Heights, examining how much film adaptations can get away with changing.

A review of Day 2 of the Oxford University Short Film Festival

The Oxford University Short Film Festival took place at the end of last term in Keble O’Reilly Theatre. Each day featured a variety of...

The lost art of the intermission, and why the film industry needs to bring it back 

Last month, Brady Corbet’s The Brutalist was one of the most-discussed films at the Oscars, with its award-winning cinematography, score, and direction rightfully generating...

Something is rotten in the state of San Andreas: Grand Theft Hamlet in Hertford

‘Hamlet: “O’, that this too too solid flesh would melt, thaw…” ’ Don’t quite remember this scene from the bard’s masterpiece? You won’t forget it...

German Expressionist film: A beginner’s guide

With Robert Eggers’ remake of the classic vampire horror Nosferatu taking the world by storm, now is a great time to look back at...

Cherubs Grow On Trees: Atmospheric student filmmaking

Making short films is hard. You have anything between two and 20 minutes to tell a compelling story. As an audience member, they can...

Nosferatu: From Murnau to Eggers

Over one hundred years since its first screening, F.W. Murnau’s Nosferatu: A Symphony of Horror (1922) is not as terrifying as it once was,...

The Ultimate Picture Palace: A profile

The Ultimate Picture Palace has been at the forefront of Oxford’s cinema scene for over a century. First opening in 1911, under the enthusiastic...

Maria – Pablo Larraín’s grab at ‘high art’

Countless documentaries have been made, and even more biographies published on the life of Maria Callas (1923-1977). She has become a mythical woman upon...

“Wait and Hope” – The Count of Monte Cristo: Review

The Count of Monte Cristo premiered at the Cannes Film Festival in 2024 to little fanfare. However, it turned out to be a stunning...

The Globes and what we’re getting wrong

“Thirty years ago,” Demi Moore told a wildly enthusiastic Golden Globes audience, “I had a producer tell me that I was a ‘popcorn actress’...

Cherwell Film Editors Must-See Pictures of 2024

Cherwell’s Film Section Editors decided to get together and review their favourite releases of 2024. Ranging from animation to drama, these are the Editors’...
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