Film

Questioning the nation’s obsession with ‘Love Island’

Love Island’s formulations have begun to seem increasingly sinister. Last summer’s season (series twelve) saw a particularly high number of complaints.

Culture Charlie Bailey -

The Hollywood blockbuster and what it says about us

Why do ‘dad films’, once popular and even good, not seem to have the relevance they used to?

Culture Lydia Armstrong -

The ‘Silent’ Film

Not speaking does not necessarily mean having nothing to say. As much can be said with an image, movement, or glance as with a word.

Culture Willow Jopp -

‘Cathy naur’: Emerald Fennell’s ‘Wuthering Heights’ in review

Although my Yorkshire identity and love of 19th-century novels make me inclined to defend Emily Brontë with all my might, I really did give this film a chance.

Culture Nora Miles -

Latest

The Globes and what we’re getting wrong

“Thirty years ago,” Demi Moore told a wildly enthusiastic Golden Globes audience, “I had a producer tell me that I was a ‘popcorn actress’...

Cherwell Film Editors Must-See Pictures of 2024

Cherwell’s Film Section Editors decided to get together and review their favourite releases of 2024. Ranging from animation to drama, these are the Editors’...

Has the modern movie musical lost its magic?

As I begin writing, my parents have just walked through the door having finally experienced the cultural phenomenon that is Wicked (2024). My mother...

Gladiator II: A lack-lustre return to Rome

With Gladiator II, Ridley Scott returns to the streets of imperial Rome not in triumph, but to decidedly muted applause.

Review: The Outrun

The Outrun Review: Choosing recovery in a wild place

Blood is compulsory: The films of Martin McDonagh

In these uncertain times, his films speak to us more than any traditional morality tale could.

Papicha, power, and cinematic patriotism

How can we say that Papicha is Algerian, if the film was banned without any explanation in the country shortly before its release?

Review: Beetlejuice, Beetlejuice

Burton’s famous gift for mixing the dark and eerie with the fun and satirical shines through once again.

Oxford Horror Soc, un-earthed

The Oxford Horror Soc, led by Izzy Reese, is Oxford’s first and only society dedicated to the on-screen horror genre.

Review: Joker: Folie à Deux

Joker: Folie a Deux is ultimately too disjointed and unnecessary to win Oscars or make headlines.

The Graduate took on generational divides

From its start, The Graduate shows its audience that Ben is alienated from the older generations. At the party his parents throw to celebrate...

Dame Maggie Smith’s Oxford beginnings, from Mansfield to McGonagall

Now nearly a month since the news of the actress’ death, aged 89, we can reflect on Smith’s extraordinary career and her connections to the city that started it all.

Review: Will Heaven Fall on Us? A Béla Tarr Retrospective

Will Heaven Fall on Us? A Béla Tarr Retrospective, which aired in cinemas this summer, confirms the status of the Hungarian director as an...

Has the romantic comedy lost its charm?

The romantic comedy genre is often criticised for its overreliance on tropes. The romcom is, after all by, designed to be light and fun....

Film around the world: Japan’s Harakiri

It is not The Godfather or The Shawshank Redemption or any Hollywood epic that is the highest rated film on the app ‘Letterboxd’ (a...

Denis Villeneuve’s Dune

In 1984, shortly after the epic finale to the (original) Star Wars trilogy was in theatres, David Lynch’s Dune treated audiences to, in the...

Film around the world: Germany’s The Lives of Others

I’m sure that those of us who studied A-Level German back in the day (not so long ago, if you’re a first-year reading this)...

Film around the world: Italy’s Suspiria

The first time I heard about Suspiria, I was nine and my babysitter was telling me I couldn’t watch it, shouldn’t even - that...

Film around the world – Turkey’s Atıf Yılmaz

Atıf Yılmaz was a Turkish film director. Until his death in 2006, he was extremely prolific and directed films across every decade of Turkish...

Memory and narrative in Miguel Gomes’ Tabu

"Now approaching the 50th anniversary of the Carnation Revolution, I return to Miguel Gomes’ 2012 feature Tabu."

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Film

Questioning the nation’s obsession with ‘Love Island’

The Hollywood blockbuster and what it says about us

The ‘Silent’ Film

‘Cathy naur’: Emerald Fennell’s ‘Wuthering Heights’ in review

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