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UrbanObserver
Friday 29th May 2026
Oxford's oldest independent student newspaper, est. 1920
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Film
Oxford on-screen: Historical atmosphere and fantasy worlds
Ideally, we should strike a balance; an awareness of the reality of life at Oxford can co-exist with an appreciation of its grand architecture and historical atmosphere.
Culture
Siena Tracey
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Subs, dubs, and AI flubs: Lost in film translation
How hard could it be to watch an entire film in German when I could not even introduce myself in the language? Quite hard, it turns out.
Culture
Emma Heagney
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Inarticulacy in part and in whole: ‘Father Mother Sister Brother’ in review
When I heard that Jim Jarmusch had released a new anthology film, I fondly remembered watching Night on Earth (1991) some years ago.
Culture
Freddie Lewis-Hedley
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SNL UK and British sketch comedy
SNL UK provides a ripe opportunity to explore our own distinct tradition of sketch comedy.
Culture
Vanisha Karna
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What’s in Cherwell’s (Film and TV) stocking?
Tesni Jones offers some viewing suggestions for a less traditionally festive Christmas period
‘Love Actually’ ten years on: irrelevant ephemera or pertinent modern fairy-tale?
Manish Binukrishnan explores the relevance of this festive classic for our generation
Review: The Grand Tour
After three false starts, Top Gear is back – just under its new name, The Grand Tour. As every episode starts in the studio...
Review: Black Mirror Series 3
Chris Goring gives qualified endorsement to the third outing of Charlie Brooker's dystopian thriller series
Review: Gilmore Girls: A Year in the Life
Tilly Nevin laments on how the comeback of this warm and comedic TV stalwart fails to live up to the original series
Review: Fantastic Beasts and Where to Find Them
Izzy Smith gives four and a half stars to the spin-off of a well-loved classic
Review: I, Daniel Blake
Jonnie Barrow is bowled over by the film’s emotional realism, the kind to which so many of us should open our eyes
Sci-fi review: Arrival
Jonnie Barrow finds Villeneuve’s latest release a true masterpiece in both performances and intellectual power
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