Film

Can movie violence ever be fun?

“Because it's so much fun, Jan!” This was Quentin Tarantino’s answer when an interviewer asked him to justify on-screen violence. Few would disagree. From the thousands who flocked to...

Culture Ottilie Bostridge -

One of the most urgent films of the year: ‘Urchin’ review

There are few films which have the power to change how you interact day-to-day...

Culture Toby Bowes Lyon -

The performance of watching: Cinema in the Letterboxd age

While watching Paul Thomas Anderson’s One Battle After Another (2025) a few weeks ago,...

Culture Eve Thomas -

Film festivals should be more pretentious, actually!

Film festivals often get a bad rep. We’ve all heard the stereotype before: they...

Culture Luisa Blacker Espozel -

Latest

The Christie Mystery

Raffaella Sero considers why Agatha Christie's characters still enthral us in the present day

Spike Lee Doesn’t Have It

Imogen Edwards-Lawrence finds fault with the Netflix reimagining of Spike Lee's classic film

Blockbuster bust-up?

This might be the year when mainstream movies shake up awards season

The Death of Stalin review – ‘it straddles that oh-so-narrow line between repellent and comic’

Christopher Goring enjoys the satire of Iannucci’s warped world behind the Iron Curtain

Adolescent queer love in ‘Call Me By Your Name’

Angelica De Vido finds the rich exoticism of Italy a perfect compliment to this tale of summer homoeroticism

A gendered rewatching of The Silence of the Lambs

25 years on, Clarice Sterling's defiance of the patriarchy is as relevant as ever

Passion over party in Pasternak’s Russia

Maria Minchenko marks the Russian Revolution centenary by casting her mind back to one of cinema's classics

Hollywood’s glamourising of Beauty and the Beast buries its troubling implications

21st century reimaginings of classic fairytales do not address the dark politics that underpin them. Susannah Goldsbrough explores.

No soggy bottoms, as Channel Four puts the icing on the cake

The move may have halved its viewing figures, but hasn't diminished any of its charm

“There is a selfish core to Mark that is the sort of thing that a sitcom character needs”

Comedian and Peep Show star David Mitchell talks to El Blackwood about the similarities between him and Mark Corrigan.

In search of originality? Retreat into cinema’s monochrome past

It is a truth universally acknowledged that commercial filmmaking has recently entered a new phase of life. Countless articles and blogs bemoan the lack...