Film

The ‘Obsession’ Obsession

'Obsession' is a taste of what the next generation of filmmakers looks like.

Culture Willow Jopp -

Nonsense and sensibility: Adapting Austen for the screen

It is a truth universally acknowledged that not all Jane Austen adaptations are created equal.

Culture Abigail Christie -

OUFF’s ‘The Oxford Tales’: Celebrating student filmmaking at Oxford

It’s no secret that Oxford has long been an idealised location for film sets; official-looking SUVs with blacked-out windows and attendants in high vis parading up and down Catte Street and around the Rad Cam are a not-unfamiliar sight.

Culture Amy Lawson -

Oxford on-screen: Historical atmosphere and fantasy worlds

Ideally, we should strike a balance; an awareness of the reality of life at Oxford can co-exist with an appreciation of its grand architecture and historical atmosphere.

Culture Siena Tracey -

Latest

One of the most urgent films of the year: ‘Urchin’ review

There are few films which have the power to change how you interact day-to-day with the world. Urchin (2025) is one of them. Far...

The performance of watching: Cinema in the Letterboxd age

While watching Paul Thomas Anderson’s One Battle After Another (2025) a few weeks ago, I found myself asking a rather disturbing question: “I wonder...

Film festivals should be more pretentious, actually!

Film festivals often get a bad rep. We’ve all heard the stereotype before: they are elitist and out-of-touch, filled with arrogant critics watching obscure...

‘Fright’s Out!’ at the Ultimate Picture Palace: ‘Dracula’s Daughter’

To call Dracula’s Daughter (1936) campy would be an understatement. In many ways it felt like a ridiculous version of Cat People (1942). At...

Cillian Murphy does it again

Since his generation-defining performance in Oppenheimer (2023) two years ago, Cillian Murphy has shown little interest in playing it safe. Having collaborated already on...

Spike Lee’s lackluster remake: Highest 2 Lowest

There is no reason why a remake should remain inferior to its source material; even less so when it’s a ‘reinterpretation’ by an auteur...

The Librarians (2025) at the Bodleian: reviewed

Kim A. Snyder’s The Librarians (2025) draws the audience into a pernicious web of censorship, repression, and culture-war collisions. Embroiled in a fierce, sombre, and...

Hoa hoa hoa season: An analysis of the small town aesthetic

“In the state of Washington, under a near constant cover of cloud and rain, there is a small town named Forks. Population: 3,120 people....

A guide to contemporary China, through cinema

“An artwork whose medium is history”, is how sinologist Haun Saussy defines China. As passionately debated as it is little understood, China today remains a...

Old age reframed – ‘The Blue Trail’: Reviewed

★★★★☆ The Blue Trail (O Último Azul), this year’s winner of the Berlin International Film Festival Grand Jury Prize, is probably unlike most things you’ve...

Just like the movies: An American’s notes on her Oxford year

Oxford occupies a mystical, almost fantastical place within the American psyche – so much so that when I told my peers I’d be studying...

Netflix’s city of dreaming Americans: My Oxford Year, reviewed

If not taken too seriously, Netflix’s new movie My Oxford Year is a surprisingly good time, despite its cliché storyline. The rom-com, starring Sofia...

Lacking Latin: Ceremonial mistakes in My Oxford Year

My Oxford Year, a new Netflix rom-com, has received considerable attention. Yet as a scholar of the University of Oxford, I feel obliged to...

What can office workers learn from The Secret Life of Walter Mitty?

"The character Walter Mitty was first brought to life in James Thurber’s short story The Secret Life of Walter Mitty, published in a 1939 issue of The New Yorker."

I’m Still Here: An exploration of memories

"I’m Still Here follows a mother and her family as they deal with the disappearance of the father at the hands of a military dictatorship."

The Oxford Cinema & Café: A profile

"The opening of The Oxford Cinema & Café marks a new chapter in Oxford’s cinema scene: a move further towards independent cinema."

The Case for Reincarnated Romances

"Reincarnation romance films are sometimes silly, mostly melodramatic, but always overlooked as a subgenre."

Barry Lyndon – Kubrick’s ultimate antifilm?

Barry Lyndon has always been dismissed within Kubrick’s filmography. While he is a filmmaker known for his versatility across genres, Barry Lyndon still sits...

Cinema’s hidden gems: Daisies (1966)

Whilst mainstream cinema more often favours the safe and the familiar, some of the most remarkable films ever made are those that dismantle the...

September 5: Journalism drama doesn’t question the facts enough

Set during the 1972 Munich Olympics, Tim Fehlbaum’s September 5 tracks the ABC Sports crew’s coverage of the Israeli athlete hostage crisis in the...

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Film

The ‘Obsession’ Obsession

Nonsense and sensibility: Adapting Austen for the screen

OUFF’s ‘The Oxford Tales’: Celebrating student filmmaking at Oxford

Oxford on-screen: Historical atmosphere and fantasy worlds

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