Oxford occupies a mystical, almost fantastical place within the American psyche – so much so that when I told my peers I’d be studying abroad, they had me promise...
"The character Walter Mitty was first brought to life in James Thurber’s short story The Secret Life of Walter Mitty, published in a 1939 issue of The New Yorker."
Reality television is, then, in many ways a fiction. They tell us they are depicting something akin to an authentic reality, but flatten and stabilise the randomness and contingency of actual life, while refusing to overtly acknowledge the authorial voice behind it.
Beautiful Boy is unlikely to have an unintentional glamorising effect. We witness the oblivion of being high before the inevitable crash down to a deeper and darker place.
From a design perspective, Bandersnatch falls into a lot of traps. Choices are quite infrequent and always binary, whereas it's standard for most interactive fiction games to allow you to choose almost every line of character dialogue.
Isabella Welch discusses whether Bandersnatch is revolutionary or just manufactured hype on part of Netflix.
The French-German film Frantz, however, has gone unnoticed by many English-speaking viewers, despite being one of the most powerful films released to explore the after-effects of World War I.