Culture

Food, fashion, and escapism in a cost of living crisis

Food costs have been front and centre in newsreels as of recent months, whether through Trump-inspired ‘eggflation’ or farmers’ protests against Labour’s inheritance tax policies. It’s unsurprising, therefore, that...

Fashion Charlie Bowden and Tara Earley -

Oxford Fashion Gala’s ‘Metamorphosis’ reflects the beauty of change

The Oxford Fashion Gala was back and bigger than ever, with a larger venue,...

Fashion Emma Heagney -

Tailoring expectations: Couture culture shocks

Academia has a historic relationship with fashion, both officially and unofficially. The former manifests...

Fashion Emma Heagney -

No-buy Trinity: A guide to buying less and creating more

For Oxford students, the start of Trinity marks not just the start of the...

Fashion Faye Chang -

Latest

Sound And Vision: Better Call Saul’s Perfect Montage

"The perfect song choice is instrumental in creating the perfect montage".

Homeward: The Source, HT23 Week 1

Four pieces of creative writing – from Thisuri Perera, Ruth Port, Charlie Bowden, and Flynn Hallman – for the theme 'Homeward'.

Dead Man’s Suitcase: A Review

"At once funny and profound, Dead Man’s Suitcase is a treat for the senses."

Othello: A New Era of Shakespeare

"This production has chosen to take a step away from this preoccupation with setting and allow the play to speak for itself."

Have A Hot Girl Hilary!

Deborah Ogunnoiki reviews Oloni's sex guide The Big O on how to have a healthy sex life, just in time for 'Hot Girl Hilary'.

Babel, or the Beauty of Multilingualism

Emerald Ace-Acquah reflects on the complexities of language, colonisation, and power, as explored in R. F. Kuang's new novel.

Glass Onion Review: Those ‘Knives’ Need Sharpening

Beatrice Ricketts considers whether the latest mystery film from Netflix lives up to Agatha Christie's novels.

Vivienne Westwood: Cultural Provocateur and True Original

Iseult de Mallet Burgess looks back on the life and work of the late icon, activist, and trailblazer Dame Vivienne Westwood.

“Who am I, and who do I love?”: Neil Bartlett’s adaption of Orlando

Ursula White reviews Neil Bartlett's adaption of Orlando at the Garrick Theatre starring Emma Corrin as Orlando.

Confessions of a Theatre Kid: Debunking The Myth

"This problematic and relentless framing of the theatre kid as marginalised or an 'underdog'... misses the fact that the arts are propped up by privilege."

Christine McVie: Fleetwood Mac’s rock ‘n’ roll romantic

"Charged with hope and joy, aching with romantic wisdom, [McVie's songs] are the songs of a woman who has lived and loved."

“A thrilling look into disjunctive relationships”: Fêtid Review

"Morgan’s multi-faceted script offers a combination of dark comedy and depth which keeps the audience consistently intrigued."

Surrealist Film Review: Fellini’s 8½

"It is where Fellini blurs the lines between fantasy and reality that he has produced an authentic filter of a man’s consciousness."

Knee Deep

the night to hear the sky to let the world run through the veins to let it all of it run through the veins Image Credit: Debby Hudson via Unsplash.

His Dark Materials exhibition in Oxford museums brings Lyra’s world to life

Props from the BBC’s adaptation of Philip Pullman’s His Dark Materials trilogy have gone on display this week in Oxford museums. Together, exhibits at Pitt...

“Refreshingly ambiguous” – Review of Wishbone

"Wishbone offers an insightful and tender portrayal of the complicated emotions tied up in a relationship".

‘After Life’: A review

After Life was an understated joy – a brilliant, bittersweet highlight of Week 7.

“In here, it’s just pretending…”: ‘Posh’ and the brilliance of impersonation.

At the end of it all, the audience are left in the wake of their destruction, while tellingly, most of the boys have left the scene, unscathed.

A Clockwork Orange: “Kubrick’s masterclass of surrealism, disillusion and delinquency”

A Clockwork Orange remains an absolute classic to this day... It represents the best of Stanley Kubrick’s vision and surrealism, and marks itself as completely unique. These types of movies represented a mental workout for the viewer, a way to leave the cinema bamboozled and desperately craving for a rewatch.

“Staying in the trouble” at Oxford

“Staying with the trouble”. This was a quote from feminist geographer and all-round academic queen Donna Haraway (2016), cited in Elwood and Leszczynski’s (2018)...

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Culture

Food, fashion, and escapism in a cost of living crisis

Oxford Fashion Gala’s ‘Metamorphosis’ reflects the beauty of change

Tailoring expectations: Couture culture shocks

No-buy Trinity: A guide to buying less and creating more

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