Theatre

Review: CRUSH – ‘A classic coming-of-age’

Rumours of drastic script revisions and casting changes meant that I entered The North Wall (a former swimming pool, so I’ve been told), with a degree of apprehension. But...

Theatre Beatrix Arnold -

Review: Blood Wedding – ‘A lunar eclipse on the stage’

A trembling bride. A distrustful mother. Two murderous rivals vying for a single, wavering...

Theatre Sanaya Narula -

Review: Crocodile Tears – ‘Techno-futuristic, but why?’

There is a lot to like about Natascha Norton’s Crocodile Tears. Female lead Elektra...

Theatre Peter Chen -

Review: ART – ‘Charm, jazz, and friendship at its wittiest’

ART is charming. Centred around long-time friends Yvan (Ronav Jain), Marcus (Rufus Shutter) and...

Theatre Lara Machado -

Latest

Review: STOP

Amaris Proctor admires this play's refreshingly frank attitude towards mental illness

A fusion of movement, light, and sound

Christopher James Goring finds much to admire in the complexity of Illuminated

Review: John Hodge’s ‘Collaborators’

Bessie Yuill finds herself simultaneously amused and disturbed by this dark tragedy about a fictional meeting between Stalin and Bulgakov

Review: ‘Edward II’

Susannah Goldsbrough is captivated by Oxford's finest acting talents and their leather leggings

‘Enter First Lobster’

Miriam Nemmaoui plays the drama queen and attacks the state sector's failing arts curriculum

Preview: Edward II

Callum Luckett waxes lyrical about this new production of Marlowe's masterpiece

In conversation with the creators of ‘STOP’

Suzy Cripps talks mental illness and magic with the writers of a new musical

Review: Bowie’s Lazarus

Julia Alsop is perplexed by the stellar complexities of this production at the King’s Cross Theatre

Time Tunnel: Edward II

Susannah Goldsbrough delves into the archive to discuss Marlowe’s Edward II

Brutalist Russia and Bowie: Marlowe’s Edward II reimagined

Alex Barasch talks to the cast and crew of this radical new take on Marlowe’s masterpiece

A fresher’s first forays into Oxford theatre

Christopher Goring reveals his first experiences in the Oxford drama scene

Review: ‘Living With The Lights On’

Izzy Smith is gripped by a play that shines a light on a dark illness

Review: D@tes

James Lamming enjoys a witty take on 21st century dating at the BT Studio

Review: Dreamgirls

Sam Purnell is blown away by this revival of the classic musical at the Savoy Theatre

One man in his time plays many parts

Susannah Goldsbrough looks back over the career of Ian McKellen, one of the greatest Shakespearean actors of our time

Review: The Pillowman

ATG's production is a triumphant display of dark humour and raw emotion - not for the faint-hearted

Review: In the Republic of Happiness

James Lamming enjoys a sometimes stilted production of a difficult play

Preview: The Pillowman

Jeevan Ravindran relishes the brutal comedy of ATG's production of The Pillowman

Review: Much Ado About Nothing

Nina Crisp is enamoured by this sellout adaptation of Shakespeare's classic comedy at the Pilch

Preview: Bang Bang You’re Dead

Amaris Proctor looks forward to seeing this darkly playful production

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Theatre

Review: CRUSH – ‘A classic coming-of-age’

Review: Blood Wedding – ‘A lunar eclipse on the stage’

Review: Crocodile Tears – ‘Techno-futuristic, but why?’

Review: ART – ‘Charm, jazz, and friendship at its wittiest’

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