Theatre

Staging the radio play: The audio-visual world of ‘Under Milk Wood’

“Love the words!”That was the crisp command from Dylan Thomas, the 20th-century Welsh poet, to the cast of his radio play Under Milk Wood, just before a rehearsal in...
Theatre Rhys Ponsford -

‘The Little Clay Cart’ brings Sanskrit back to life

As students left Oxford on the last weekend of Hilary, I visited St John’s...
Theatre Faye Chang -

40 years after the miners’ strike, James Graham’s ‘This House’ still has a lot to offer

‘Humphrey: ‘If the right people don’t have power, do you know what happens? The...
Theatre Thomas Armstrong -

Persuading the public: The play as propaganda

The play as propaganda has a long history. From the regime-affirming productions of Hieron,...
Theatre Nancy Gittus -
Latest

Romeo and Juliet review: ‘Seamless and brilliantly acted’

If he was trying to build tension then Jamie Lloyd does it well, because I couldn't wait for the play to start. By the time I found my seat I was practically shaking with excitement (and a slight twinge of fear for what was in store). 

The Knight of the White Moon review: ‘Mirth, romance, and mediaevalesque larks’

Tactically leaving the Summer VIII’s races early as the women's Div I race came to an exciting close (up the House), Pimm’s still in...

The Two Gentlemen of Verona review: ‘Theatrical rom-com’

The Two Gentlemen of Verona is almost always referred to as one of Shakespeare’s ‘early’ plays: an apologetic slant which does the play no...

The Two Gentlemen of Verona review: ‘A hilarious modern take’

It was, then, a testament to this commitment that the performance was as good as it was. The production was a hilarious modern take on Shakespeare’s comedy, with several scenes updated, modified, or introduced entirely for this play.

The Human Body review: ‘A Socialist exploration of healthcare and romance’

I recently attended my first production at the Donmar (https://cherwell.org/2024/01/24/review-of-tennant-as-macbeth-an-auditory-experience/ - shameless self plug!) and fell in love with the energy of the space...

Long Day’s Journey Into Night review

I walked into the Wyndham Theatre’s production of Long Day’s Journey Into Night by Eugene O’Neill half-expecting a night at the London Theatre like...

An Enemy of the People review: ‘Tragic but thought provoking’

Ibsen has re-entered the drama scene with the current production of his classic play An Enemy of the People at the Duke of York...

“Extremely vulnerable”: Review of The Sun King

It is difficult to imagine the stiflingly intimate space of the Burton Taylor transformed into a wide beach overlooking the expanse of the sea:...

The Oxford Revue: A Room with Revue

'a simple and clever production which ranks as one of the most enjoyable shows I've seen all year'

Dynamic, Chaotic and Physical: Review of Frantic Assembly’s Metamorphosis

"Frantic Assembly takes on a new challenge, taking a decades old Kafka novel, The Metamorphosis, and putting it to the stage in their signature physical theatre style."

Julius Caesar at the TS Eliot Review: ‘Mature and Intelligent’

"From start to finish, it was a show filled with excellent performances from leading cast members."

‘Frost/Nixon’ by St John’s Drama Society – Review 

"Rohan Joshi is a star turn as President Nixon. His wounded gait, booming American accent, and measured pace of delivery kept the audience rapt."

A queer exploration of new age romance: ‘Best of Five’ Review

"Watching ‘Best of Five’ felt like I was watching a combination of mine and my friends' university experience playing out in front of me. "

A modern way of doing Chekhov: The Cherry Orchard Review

"If the look of the production is traditional, then Esme Buzzard’s translation is distinctly fresh."

Daddy Longlegs: a Big Step Up for Student Production

"Daddy Longlegs went above and beyond the standard I’ve come to expect of student productions in my time at Oxford."

Gawain and the Green Knight – Review

"Gawain and the Green Knight was a play I was eager to see."

“Riotously Funny and Highly Enjoyable”: Blackadder Review

"It came as a pleasant surprise, therefore, that I found the production riotously funny and highly enjoyable."

Immersive, seductive, orgasmic: review of The Bacchae

Inhale, exhale. The beating drum sounds louder as I walk further into the Keble O’Reilly. Turning left into the auditorium, I find the source...

Unbodied identity? – A Review of Bodies

"Bodies captivates in its exploration of 'bodied' and 'unbodied' existence. The play challenges traditional notions of life, meaning, and identity"

Review of Tennant as Macbeth: An Auditory Experience

"Last week I took a trip to London to see the new production of Macbeth starring David Tennant at Donmar Warehouse."
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