Nothing makes me more excited about a theatre production than hearing a director talk passionately and intelligently about their chosen text. In a conversation with Cherwell, director Joshua Robey’s...
No sympathy laughs from your mate when the joke doesn’t quite land; no in-jokes to fall back on; no new haircut to make fun of. Comedy is a savage mistress.
Working with other people on Spoon River is definitely a welcome distraction from the monotony of being stuck in lockdown at home. It is truly inspiring to get to witness so many creatives coming together for this production.
This version attempts to be the Hamilton of pantomimes, incorporating street dance, rap, pop ballads and frequent references to TikTok trends into an otherwise familiar tale.
It is at this moment that it becomes obvious just how important backstage is; it can quite simply carry the play or allow it to flop, making the phrase ‘break a leg’ cut a bit close to the bone.
"Marginalised actors should not just be shoehorned into pre-existing plays without any respect or provision for the stories they have to tell. To do so is to package diversity into commercially successful morsels that are digestible for largely white, middle-class audiences."
Several regional theatres have struggled to cope in the pandemic, due to persistent negligence and underfunding for decades, both by regional funding bodies and the government themselves.
"The whole crew behind this production are worthy of praise for their resourcefulness, having produced a piece which works with, rather than against, its unusual circumstances".
Written and directed by Helena Aeberli and Riana Modi, Simulacrum is the first play on the Oxford drama scene specifically designed for online production,...
It is no secret that Covid-19 has put a strain on the UK's live theatre, especially given recent restrictions legally limiting public indoor gatherings...