Theatre

Review: Medieval Mystery Play Cycle – ‘Comedy, choirs and inflatable hammers’

I wasn’t sure what to expect from a Medieval mystery play cycle. What I was not anticipating was Lucifer recast as a finance bro ‘fired’ from Heaven (now a...
Culture Rhys Ponsford -

Staging the radio play: The audio-visual world of ‘Under Milk Wood’

“Love the words!”That was the crisp command from Dylan Thomas, the 20th-century Welsh poet,...
Theatre Rhys Ponsford -

‘The Little Clay Cart’ brings Sanskrit back to life

As students left Oxford on the last weekend of Hilary, I visited St John’s...
Theatre Faye Chang -

40 years after the miners’ strike, James Graham’s ‘This House’ still has a lot to offer

‘Humphrey: ‘If the right people don’t have power, do you know what happens? The...
Theatre Thomas Armstrong -
Latest

“I don’t want realism, I want magic”: NT Live’s A Streetcar Named Desire

“Don’t you just love these long rainy afternoons when an hour isn’t just an hour—but a whole little piece of eternity dropped into your hands—and...

Being True to the Book

Adapting books for the stage or screen seems to be completely irresistible. We are compelled to take words on a page and transform them...

Are we blind to the need for blind casting?

Perhaps the biggest debate surrounding ‘gender-blind and colour-blind’ casting (with which actors are cast regardless of the traditional race/gender of their role) is the...

Bare derrieres for bums on seats? Shock value on stage

By the time Iqbal Khan’s Anthony and Cleopatra reached its dénouement at the RSC, we were almost three hours in and, despite the production...

Stage Adaptions: Midnight’s Children

Iconic, encyclopaedic, and kaleidoscopic, Salman Rushdie’s Midnight’s Children has garnered a healthy sense of both wariness and respect from critics and readers alike over...

A ‘Clean Break’ from crime?

After mastering the downward facing dog-chaturanga-upward facing dog transition, my isolation development peaked and it was time to do some work. I watched the Donmar Trilogy’s...

The Last Five Years: Review

00 Production’s performance of The Last Five Years pulls off the ambitious project with surprising grace. I say surprising because bringing a musical to the small screen,...

The Last Five Years- Preview

Having watched the preview, I am excited to see and listen to the full-length production of the musical. Both Maggie Moriarty as Cathy and...

Review: Richard II

Not Way Forward Productions has managed to put up a brilliant virtual version of ‘Richard II’ in pre-recorded video format. It is well-executed -...

Ralph Fiennes: from Hamlet… to Lear?

With his aquiline nose, translucent skin and deep pale eyes, Ralph Fiennes certainly makes an impression. And that is even before he speaks or emotes -...

NT Live’s Twelfth Night: Review

The French philosopher and moralist Jean de la Bruyère once remarked “life is a tragedy for those who feel, and a comedy for those...

‘The Last Five Years’: discussing adaptation, distance and theatre’s survival

Imagine if you could see how your relationships would end as soon as you started them. In The Last Five Years, this premise is...

The intimacy of isolation: reflections on performing alone

“Lights up. The actor is alone” - type aspiring playwrights all over the world, unconsciously in unison. I anticipate reading this line (or something similar) over...

A Taste of Honey Today

A Taste of Honey, a play by the Salford-born writer Shelagh Delaney, debuted in 1958 and is widely considered to be a landmark work...

The era of digital drama

When you imagine ‘going to the theatre’, an image of you in your dressing gown, sitting on the sofa and eating popcorn probably doesn’t come to mind....

Richard II, coronavirus and creativity – in conversation with Dorothy McDowell

It seems like there’s enough drama happening in the real world to justify dark theatres and empty stages. The Edinburgh Fringe has been cancelled,...

‘Food For Thought’: The Buffa

What do buffet staff think about as they watch you stuff down your fourth plate of chicken chow-mein? Maybe they’re questioning why anyone drinks cows’ milk...

Review: Dr Faustus

“Why this is hell, nor am I out of it.”  As clawing hands ooze from behind a bookshelf, as twisted shadows creep against the walls,...

Translating nature into the theatre

Audition season for Trinity plays is beginning. Prepare your monologues and get ready to neglect your studies. More importantly though, get shopping for a...

Review: The Oxford Revue and Friends

To keep an audience laughing consistently at amateur comedy sketches for over two hours is the impressive achievement of the cast of ‘Oxford Revue...
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