Culture

It’s a bird, it’s a plane, it’s theatre: Defining the ill-defined

It has been 93 years since the first performance of Bertolt Brecht’s The Good Person of Szechwan at Schauspielhaus in Zurich. Many critics cite Brecht as the pioneer of...

Theatre Amy Lawson -

Authenticity and the pop genre: Slayyyter’s ‘WOR$T GIRL IN AMERICA’

Originality could be dead in pop music. The genre is so self-referential that it...

Music Val Michael -

Why you should spring clean your bookshelf this Trinity

In the Northern Hemisphere, astronomers mark the beginning of spring on the date of...

Books Elizabeth Bourn -

Does ‘Euphoria’ no longer speak to our generation?

Should I have been watching Euphoria’s first season as an innocent, bright-eyed 14-year-old? Probably...

Culture Emma Heagney -

Latest

An Old War in a New Light

Reviewing ‘Vietnam: An Epic Tragedy’ by Max Hastings (Harper, 2018).

Inheriting ‘The Big Score’

Examining the appeal of the classic heist film

Preview: A Woman of No Importance – ‘promises an informed, thorough and hilarious production’

Magdalen Players reimagine Oscar Wilde's melodramatic comedy in fourth week

C. S. Lewis’ fantasy worlds: holding the mirror up to nature

Fantasy reveals as much about our society as it does about our desire for escape.

Post-Post-Punk: Got the Spirit, Lose the Feeling

What it comes down to is the fact that post-punk lacks the plasticity of genres like rock or hip-hop, which freely pool together music that would otherwise be separated by decades. It is, by its very name, less a style than a moment in time

The Ruling Class – ‘a new beast, though one they are competently battling’

Stage Wrong Productions tackle the challenging black comedy on at the BT in third week.

Daydreamers: Fantasy in the Face of Stasis

There’s a scene in one of my favourite films, High Fidelity (2000), in which John Cusack’s Rob plays out a number of angry reactions in his head...

Interview: Lucy Worsley

"I don't think history always 'gets better'": the historian and presenter on queens, clothing and curation

In Search of a Poet

Exploring the history and the hype behind the role of the Oxford Professor of Poetry

‘In Search of Equillibrium’

A review of Theresa Lola’s debut poetry collection (Nine Arches Press, 2019).

The Power of Telling Tales in Ali Smith’s ‘Spring’

'This third instalment in Smith’s quartet is perhaps the best yet; a novel for our times that asks all the right questions of the current climate, but also of itself. '

Singing to Say No to Cinematic Fantasies

"Titanic Rising" is an album that dispels the fantasies presented by film

Fantasy Music’s Apex – Djwadi’s Score for ‘Game of Thrones’

What makes the 'Game of Thrones' score as iconic as it is?

LOVE/SICK – ‘Your trip to Tesco’s will never seem the same again’

Matter of Act’s ambitious new production in an “alternate suburban reality” details the joys of falling in and out of love.

Every Brilliant Thing – ‘strikes a staggering balance between serious and joyful’

For a play about suicide, Every Brilliant Thing is an unexpectedly life-affirming and hilarious production

Q&A – a play that ‘takes a turn into the chaotic and absurd’

Witty, absurd, and ultimately hilarious, Q&A is an entertaining one-act play, even if at times the dialogue lacks spontaneity

Electrolyte – an energetic fusion of electronica and spoken word

A dizzying exploration of mental health at The North Wall holds promise, but is undermined by its simplistic ending.

Rego’s Abortion Pastels: An artistic fight against stigma

The pastels of Paula Rego reclaim marginalised women from state-sanctioned shame.

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Culture

It’s a bird, it’s a plane, it’s theatre: Defining the ill-defined

Authenticity and the pop genre: Slayyyter’s ‘WOR$T GIRL IN AMERICA’

Why you should spring clean your bookshelf this Trinity

Does ‘Euphoria’ no longer speak to our generation?

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