Culture
Review: ‘Long Day’s Journey Into Night’
I walked into the Wyndham Theatre’s production of Long Day’s Journey Into Night by Eugene O’Neill half-expecting a night at the London Theatre like any other. Beer in hand,...
Film around the world – Turkey’s Atıf Yılmaz
Atıf Yılmaz was a Turkish film director. Until his death in 2006, he was...
The Christ Church Picture Gallery: Review
The Christ Church Picture Gallery has free entry for Oxford students. It offers a chance to view one of the most impressive college art collections, with pieces spanning the 14th to 18th centuries
Men used to go to war – now they DJ
Why are so many people becoming DJs? This recent obsession has taken the world...
Matchstick Cats
Mark and Trev were surrounded on the bed of the truck by old wooden...
The Recruiting Officer
This eighteenth-century play is entertaining, but the depth of characterisation got lost in the space of the Oxford Playhouse
A Clockwork Orange
Good acting in the central role can't redeem a confused adaption of Anthony Burgess's novel
Napoleon, complex?
Michael Docherty find The Shadow of Enlightenment's exciting style cannot mask its dull substance.
Viva Glasvegas!
Joseph Weir heads to the O2 Academy to talk to Glasvegas at this year's NME Tour
See no evil, hear no evil
Three Monkeys, Nuri Bilge Ceylan's most recent cinematic venture, is imbued with a mesmeric brilliance from start to finish.
American prospects?
Mark Greif, co-editor of cutting-edge literary journal n+1, talks about diverging intellectual spheres and the role of the intellectual in today's society
Anyone for T?
William Kelleher talks to Toddla T at Fuse Night
4.48 Psychosis
An Expressionist take on Sarah Kane's last play misses the point
Serving It Up
Sarah Nerger was impressed by a performance of a student-written play
Taking Control
Cherwell examines the role of the director
Don Carlos
We weigh in on the upcoming adaptation of the Friedrich von Schiller classic
Liberal Facism
Jonah Goldberg's new book Liberal Facism sounds like it ought to be an interesting, though not entirely revolutionary, proposition
Odds and Sods and Death and Dogs
Paul Freestone's tender and humorous photographs find beauty in the mundane and subtly blur the boundaries between the human and the natural
Doubt
John Patrick Shanley's film adaptation of Doubt arguably equals, and quite possibly surpasses, the play upon which it is based
