Labyrinth Production’s staging of Patrick Marber’s 1997 play, Closer, was an ambitious move for a student-run production company. Ambitious as it was, the cast themselves put on a strong...
Angela Eichhorst writes about how we can learn from two religious communities, Greyfriars Franciscan Friary and the Buddha Vihara Temple, during the second lockdown.
Bong consistently backs up this technical precision with an attention to thematic and emotional detail that, combined with his now infamously anarchic approach to genre convention, renders him a singular force in the landscape of modern cinema
"It was uncommonly sultry and dark when I arrived at the Winchester water meadows. The scene was a
near stereotype, and it reminded me of those decrepit - far too embellished - landscapes you see in many
royal palaces."
"Memoir is an exploration of the complex layers of human memory: fallible, emotional and moulded by subsequent reflection. Like life itself, memoir is messy - but all the more enjoyable for it."
Nothing has hit me as hard as this minute of TV for months. I had been sat in my little ivory tower of ‘well, why didn’t they just learn?’, but now I felt all that come down.
"Now, God’s people are soon to flee,
Into the wilderness and coarser sands
He takes them, they at last are free,
But I, loyal servant, loving wife,
What is God’s plan for me?"
"Each of this week’s recommendations demonstrate that female voices are far more nuanced and diverse than fiction has traditionally led us to believe."
"Tender and thought-provoking, The Vanishing Half offers a reflection on whether a person can choose who they are. In a world where Stella and Desiree represent black and white, Bennett embraces the grey area of personal, racial, and gendered identity."
"Then there is a sudden pull – my loose thoughts spill over the pebbly surface of the page. Images crashing and breaking against sobering stillness, propelling seafoam into the air, rumpling the Edenic crispness of the page."