Culture

2025 releases you may not have seen (but definitely should)

It’s that time of year again: the season in which we are inundated with a never-ending stream of lists ranking 2025’s top releases. Cherwell, however, will not attempt to...

Culture Lara Machado -

‘Dark, revealing, gripping’: In conversation with the cast of ‘JACK’

JACK, by Musketeer Productions, reimagines the cult story of the most notorious serial killer...

Culture Matilde Ambrosio -

‘The political is also political’: Ash Sarkar’s ‘Minority Rule’

Universities have often been seen as bastions of radicalism. Forgetting the fact that higher...

Books Morien Robertson -

Graceful and self-assured: Circle Mirror Transformation reviewed

Boulevard Productions’ Circle Mirror Transformation is a faithful and competent take on Annie Baker’s...

Culture Lara Machado -

Latest

Words words words

The theatrical art of the translator.

Spanish intellectuals

Theatrical Thrills

Foals – “Antidote”

Monique Davis reviews Foals' new album.

The Kooks – “Konk”

Dan Rolle reviews The Kooks' new album.

Review: Fool’s Gold

Charlie Martin reviews Fool's Gold.

Back to basics: Super 8

Nick Westfield delves into the Super 8 archives.

Review: Persepolis

Greg tate reviews the adaptation of Marjane Satrapi's graphic novels.

A positive sample

Begging, stealing or borrowing? Not so, says Robin Whelan.

Review: In Bruges

Laura Williams reviews Colin Farrell's latest venture.

Chick-on-chick flicks

Rowan Parks visits the 22nd Gay and Lesbian Film Festival.

Neighbourhood Watch: Chris Chan

Thomas Barrett meets Chris Chan, organ scholar supreme.

Great Novels: Gravity’s Rainbow, by Thomas Pynchon

Gravity’s Rainbow, Pynchon’s manic schizophrenic novel, originally titled ‘Mindless Pleasures’, is a quasi-sequel to his previous work V, which had appeared in 1963 to...

Review: Mort

Thank heavens Mort is showing in 8th Week of Hilary: the term of sickness, stress and freak exams for an unlucky few. Well –...

Panel Discussion: The Role of the Art School in the 21st Century, Modern Art Oxford

Richard Wentworth, Master of the Ruskin School of Drawing and Fine Art, initially seemed slightly taken aback to discover that he was the sole...

Concert review: Tomas Gould & John Reid play Schubert, Szymanowski and Schumann

Holywell Music Room, 2nd March 2008Wandering past a posterboard for the Holywell Music Room coffee concerts it is easy to feel a twinge of...

Classical review: Oxford Chamber Orchestra play Copland, Barber and Haydn

Sheldonian Theatre, 8.30pm, February 29th 2008The Oxford Chamber Orchestra, under the direction of Jonathan Williams, gave a programme connecting the 20th century back to...

Roth by numbers – a review of Philip Roth’s latest novel, ‘Exit Ghost’

Nathan Zuckerman, a writer living out his winter years in rural isolation, believes he finally has a handle on unpredictability. Prostate cancer has left...

Ready For The Floor?

James Louis Gallagher reviews Hot Chip live at the Carling Academy Hot Chip’s reputation as one of the best live bands on the electro scene...

Quills

After the Moser’s lavish costume drama Dangerous Liaisons in third week, the powdered wigs and buckled shoes return for this gripping production of Quills at the OFS

Review: Dangerous Liaisons

by Frankie Parham *** Beneath all the powdered wigs and tightly strung corsets, 18th century France was bursting with selfish, sex-crazed,...

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Culture

2025 releases you may not have seen (but definitely should)

‘Dark, revealing, gripping’: In conversation with the cast of ‘JACK’

‘The political is also political’: Ash Sarkar’s ‘Minority Rule’

Graceful and self-assured: Circle Mirror Transformation reviewed

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