Saturday 18th October 2025

Culture

Are you listening comfortably? Audio drama and theatre

When people think of podcasts, they probably wouldn’t associate them with theatre. Yet it was this seemingly unlikely convergence between the two forms that led me to attend the...
Culture Rhys Ponsford -

Algorithms of individuality: ‘The Consciousness Company’

As Stephen Fry wrote, The Consciousness Company by M.N. Rosen addresses the “enormous ethical,...
Books Maddie Gillett -

Over-the-top-vlogging and call centres: Dial 1 for UK

Dial 1 for UK is a one-man show following the journey of Uday Kumar...
Culture Caitlin Shaw -

Spike Lee’s lackluster remake: Highest 2 Lowest

There is no reason why a remake should remain inferior to its source material;...
Culture Matthew Mair -
Latest

Review: The Ossians

Scottish indie rock clamouring for attention.

Review: The Need for Uncertainty

Mircea Cantor Modern Art Oxford Until 1 June

Student Play

BT Studio, 4th week, Tuesday - Saturday    

Rewriting the Mind

The Art of Translating a Text

Review: The Bald Primadonna

BT Studio

Review: Swing!

O'Reilly, 4th week

First night review: Rosencrantz and Guildenstern Are Dead

O'Reilly Theatre 3rd Week Tues - Sat

First Night Review: A Doll’s House

Oxford Playhouse 6-10 May 

The Futureheads – “This is not the world”

Monique Davis is underwhelmed by The Futureheads' latest offering

Interview: Mystery Jets

Harry Thompson meets the Mystery Jets.

Video: Wadstock 2008

Interview: Amara Karan

Ruth Banks talks to the self assured star of St Trinian’s and The Darjeeling Ltd. about her improbable rise to fame.

Review: Joy Division

Out 2 May

Review: Nim’s Island

Out 2 May

Interview: John Hurt

Ben Williams talks to a cinematic icon.

Neighbourhood Watch: Figment

Sean Lennon digs the fig.

Jack McManus – ‘Either Side of Midnight’

Review by Chris Cooling.

The Loose Salute – ‘Tuned to Love’

Review by Jim Armshaw

Interview: Pendulum

Thomas Barrett speaks to drum and bass stars Pendulum.

Review: The Sabotage Café

Amber Coakes reviews Joshua Furst's new novel.
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