Culture

Kooky and self-assured: ‘Brew Hill’ in review

Pecadillo Productions’ latest show is (quite rightly) aiming for Fringe, but this kooky, self-assured tragicomedy has immediate cult classic potential.

Culture Abigail Lakeland -

Art is an argument, so argue back

Often, how much we like artwork comes down to ‘vibes’, initial gut-reactions we make, and then quickly negate by stating that surely it's all about taste.

Art Maxim Vorobev -

Red soles, red flags: Jaden Smith and the celebrity takeover of high fashion

Smith’s appointment has raised some serious questions about the extent to which nepotism and celebrity is superseding artistic talent in the fashion industry at present.

Culture Victoria Corfield -

The ‘Silent’ Film

Not speaking does not necessarily mean having nothing to say. As much can be said with an image, movement, or glance as with a word.

Culture Willow Jopp -

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Taking Control

Cherwell examines the role of the director

Don Carlos

We weigh in on the upcoming adaptation of the Friedrich von Schiller classic

Liberal Facism

Jonah Goldberg's new book Liberal Facism sounds like it ought to be an interesting, though not entirely revolutionary, proposition

Odds and Sods and Death and Dogs

Paul Freestone's tender and humorous photographs find beauty in the mundane and subtly blur the boundaries between the human and the natural

Doubt

John Patrick Shanley's film adaptation of Doubt arguably equals, and quite possibly surpasses, the play upon which it is based

Black Comedy

This production of Black Comedy illuminates Shaffer's script

The Entertainer

John Osborne's historic follow-up to ‘Look Back In Anger' charts the life of Archie Rice, son of smash-hit music hall comedian Billy Rice

Stryding to success

Joseph Weir discovers the story of a DIY label and Tinchy Stryder's rise to stardom

Behind the Scenes: The Line-Producer

In the second edition of Behind the Scenes, Andrew Litvin tells us something about line-production

These Dark Materials

An adaptation of His Dark Materials hits Oxford next term, and Cherwell went backstage to see it being created.

Coolness In The Face Of Fire

Vid Simoniti talks to a Merton student who balances studying philosophy with flaming poi

The Cactus Where Your Heart Should Be

The Cactus Where Your Heart Should Be is fun, but never quite brilliant

Squirrels

Good acting and directing can't get David Mamet's flawed Squirrels to the top of the tree

The Philadelphia Story

The OFS performance of late-1930s classic The Philadelphia Story is hugely enjoyable

Not as stable as they look?

More information and analysis on Cherwell's interview with Bob Blackman on the future of the West End

Behind the Scenes: The Producer

In the first of a new blog dedicated to the people who make our films, Laura Hastings-Smith talks production

Review: Mankind

Our man is impressed by this modern update of the medieval classic

Straight to DVD: Mob Doc

Out of Africa...we review the latest from Kenya's Jitu studio

Review: The Broken

Our review of Sean Ellis' latest horror flick

On the road to nowhere

Casting an eye over Sam Mendes' Oscar-baiting 'Revolutionary Road'

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Culture

Kooky and self-assured: ‘Brew Hill’ in review

Art is an argument, so argue back

Red soles, red flags: Jaden Smith and the celebrity takeover of high fashion

The ‘Silent’ Film

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