Culture

The performance of watching: Cinema in the Letterboxd age

While watching Paul Thomas Anderson’s One Battle After Another (2025) a few weeks ago, I found myself asking a rather disturbing question: “I wonder what people on Letterboxd are...

Culture Eve Thomas -

Film festivals should be more pretentious, actually!

Film festivals often get a bad rep. We’ve all heard the stereotype before: they...

Culture Luisa Blacker Espozel -

On the edge of honesty: ‘The Man Who Turned into a Stick’

To rehearse and perform an entire student production before the second week of Michaelmas...

Culture Mair Andrews -

Erotic suspense and trickery: ‘Twelfth Night’ at St Hugh’s

Lovers mismatched, siblings detached, and plans of trickery hatched: it is the time of...

Culture Mary Stillman -

Latest

The Ideas Man by Shed Simove

A book by the inventor of 'Clitoris Allsorts' fails to titillate or raise titters

Raphaël Zarka – Geometry Improved

We find French 'found forms' fail fundementally

The Class

Rees Arnott-Davies finds Palme d'Or winning French drama a lesson in expert film-making

Buried Child

Sam Shepard's pretentious, flawed play gets better acting than it deserves

Confusions

Dialogue isn't the only thing that's funny about this Aykbourn play

All the World’s a Stage: Shakespeare improved

How Shakespeare's admirers thought his work needed a few rewrites

The Recruiting Officer

This eighteenth-century play is entertaining, but the depth of characterisation got lost in the space of the Oxford Playhouse

A Clockwork Orange

Good acting in the central role can't redeem a confused adaption of Anthony Burgess's novel

Napoleon, complex?

Michael Docherty find The Shadow of Enlightenment's exciting style cannot mask its dull substance.

Viva Glasvegas!

Joseph Weir heads to the O2 Academy to talk to Glasvegas at this year's NME Tour

See no evil, hear no evil

Three Monkeys, Nuri Bilge Ceylan's most recent cinematic venture, is imbued with a mesmeric brilliance from start to finish.

American prospects?

Mark Greif, co-editor of cutting-edge literary journal n+1, talks about diverging intellectual spheres and the role of the intellectual in today's society