Culture

What I learned from Tracey Emin about regeneration

CW: Abortion I left the Tate Modern’s latest headline show, Tracey Emin: A Second Life, feeling unmoved by the artworks. I found the paintings somewhat derivative and the neon signs...

Art Willow Jopp -

In sickness, health, and wrongdoing: ‘The Drama’ in review

CW: Gun violence. “What’s the worst thing you’ve ever done?” is the driving question of...

Film Siena Tracey -

It’s a bird, it’s a plane, it’s theatre: Defining the ill-defined

It has been 93 years since the first performance of Bertolt Brecht’s The Good...

Theatre Amy Lawson -

Authenticity and the pop genre: Slayyyter’s ‘WOR$T GIRL IN AMERICA’

Originality could be dead in pop music. The genre is so self-referential that it...

Music Val Michael -

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Louisa-Claire Dunnigan gets a sneak preview of the first musical offering of the theatrical term!

‘In this world but not of it’

A look back over the uncompromising career of the late J.D. Salinger

Auschwitz-Birkenau-Bambi

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Review: Our Country’s Good

Meta theatre and good bad acting make this a production worth seeing

Writers on Track: NWF

The Producer of the New Writing Fesitval lets us know how it's all going

Review: One Life Stand by Hot Chip

A four-star fourth offering

Review: Odd Blood by Yeasayer

Album of the decade (so far).

Interview: Dev Heynes

The Lightspeed Champion talks Test Icicles with Cherwell

First Night Review: Equus

A strong, creepy performance, and marks to the audience too

Performance Review: Someone Who’ll Watch Over Me

Every minute of this one and a half hour play was worth watching

First night review: Rhinoceros

Will you join the herd? asks Robert Holtom

Review: Youth in Revolt

Not your average teen movie

Emma Johnson and Pascal Rogé

Our new classical music reviewer attends an impressive concert at the Sheldonian Theatre, 30th January

Heavenly Features

Nicolas Pierce evaluates cinema's after-death experiences

Online review: A Prophet

Beau Woodbury says the future's uncertain for this acclaimed drama

Cherwell Photo Blog – Week 3!

Yet more snaps and shots from around Oxford...

Art, not without ambition

Macbeth has much to commend and much to condemn, says Andrew McCormack

Online review: Edge of Darkness

Edge of your seat stuff

What you’ve been missing

Is it indulgent to review an author in this column? Not when it's Orhan Pamuk

Review: Romance is Boring

Cherwell's most musically minded Ex-Editor reviews the latest from Los Campesinos!

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Culture

What I learned from Tracey Emin about regeneration

In sickness, health, and wrongdoing: ‘The Drama’ in review

It’s a bird, it’s a plane, it’s theatre: Defining the ill-defined

Authenticity and the pop genre: Slayyyter’s ‘WOR$T GIRL IN AMERICA’

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