Culture

The legacy of the caricature

That the ‘In Memoriam’ section of the 2026 Academy Awards is going to be a serious tear-jerker was solidified by the passing of Dolly Parton and Tim Curry over two consecutive days.

The problem with Nolan’s ‘The Odyssey’

Nolan had all the tools for greatness. Instead, to my eternal frustration, his 'Odyssey' will always only be just alright.

‘One Night Only’ (2026) and the death of romance

Romance movies are, on the whole, my favourite movie genre. But good romance movies, like good romantic relationships, are hard to find, and easy to mess up.

Caught between grief and hope: ‘On Some Far Shore’ reviewed

Fresh off the back of 'Our House' and 'Macbeth', Cross Key Productions presents an original three-hander focused on the complexities of grief and young love.

Film Wars: Too Much Cash Will Kill You

A debate on the merits of blockbuster and arthouse flicks

Film Wars: PC Power

Does CGI have the edge over hand drawn classic animation?

Film Wars: 2D or Not 2D?

Is 3D cinema anything special?

Film Wars: Big Screen/ Little Screen

Is TV a vacuous void? Is film the real art form?

Reviews: The Happiest Girl in the World & The Girl on the Train

Abhishek Bhattacharyya compares the latest forein language film releases

Review: The Brothers Bloom

A quirky, genre-busting film

First Night Review: Closet Land

Jenni Cutting discovers the BT ain't no Narnia this week

My, Fair Play!-dy

Andrew McCormack can't say fairer than that, with the Queen's Garden Play

Photo Blog – 6th Week

It's already 6th Week, here's what it looks like*

What Makes A Classic: Magnolia

Beau Woodbury on Paul Thomas Anderson's modern masterpiece

A funny type of attraction

Rafaella Marcus on why even the most unfortunate -looking of comics can send the girls swooning

Review: Iris Murdoch, a writer at war

Helena Bennett finds that students haven’t changed much in 70 years - but the world around them has

Review: Closet Land

What happens when Enid Blyton meets Orwell's Big Brother?

Review: Rent

Andrew McCormack catches up with the first instalment of this month's rent.

Remainders of a revolution

The Time that Remains: Quietly thought-provoking. Sometimes a little too quiet.

The magic motion man

Jane-Marie Saldanha speaks with Adam Elliot, independent animator extraordinaire

The college dropouts

Alex Dudok de Wit talks to Foals keyboardist and Oxford abscondee Edwin Congreave

First Night Review: Much Ado About Nothing

Will Granger thinks there's plenty to say about this something.

First Night Review: No Exit

Max Marenbon checks in, and checks out Sartre's classic at the Frewin Undercroft

Online Review – Fourtissimo

A new comedy of modern manhood hits the BT next week. Will it stick?

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