Friday 12th December 2025

Culture

Graceful and self-assured: Circle Mirror Transformation reviewed

Boulevard Productions’ Circle Mirror Transformation is a faithful and competent take on Annie Baker’s 2009 tragicomedy.  The play follows a group of people of different ages taking a beginners’ drama...

‘We’re all mad here’: Alice in Won-DRE-Land at Tingewick 2025

When I wandered into Tingewick Hall on a cold, dark evening in seventh week,...

A comical approach to a classic text: ‘Hedda Gabler’ reviewed

Tiptoe Productions’ Hedda Gabler, co-directed by Ollie Gillam and Gilon Fox, delivered a strong...

‘Lux’ by Rosalía review: A breath of fresh air

'The Latin title ‘Lux’ perfectly embodies the concept and overall aesthetic of divine femininity, as well as the multilingual aspects that run throughout the work. With complex and meaningful lyrics written in 13 languages, and split into four movements, the record is a breath of fresh air for the pop scene'.

OUDS Drama: a battle of the sexes

The Royal Hunt of the Sun and New Electric Ballroom directors talk to Carla Neuss about Inca warriors, sexual encounter and the ‘woman’s question’ in Oxford drama

C’est tres amusant, no?

Josephine Sarchet goes against popular belief and explains how French films can be funny

Review: A Town called Panic

Dale Viva-Lee begins a Cherwell Film French special with one of the best and strangest films of the year

The French Connection

Evie Deavall bridges the Channel and discusses cinematic camaraderie with actor Jean-Claude Dreyfus

When dreaming spires no longer inspire

Annabel James reviews two new exhibitions which explore the meaning we give to the materials around us

Nothing rhymes with ‘polio’

Our de facto America correspondent Dave McLeod meets his nemesis in legendary author Philip Roth’s new novel, Nemesis.

Review: ‘I Don’t Want To See You Like This’

Matt Walsh runs over the new track from the Joy Formidable

Interview: Adam Buxton

Benjamin Kirby's extended interview with comedian, actor & radio presenter Adam Buxton

Interview: S1l3nc3

Oliver Moody talks to the acclaimed 'mind abuse' artist - in absolute silence

Review: Self Preserved While The Bodies Float Up

Moneeb Nasir sizes up Oceansize's latest album, then heads to their gig for a reappraisal

Ionesco’s Play Is A Lesson For Us All

The futility of existence and pervasive erocticism: this play takes William Hooper back to school

Rekindling a passion for books

Jamie Randall takes on the traditionalists and finds himself E-lated by the prospect of electronic reading

Hie Sir Trevor to a Nunnery?

Carla Neuss anticipates Trevor Nunn’s appointment as an Oxford professor, and then wonders what he actually does

Internet on film

Like The Social Network? It's not the first of its kind

The Social Network

Joshua Rosaler was there at Facebook's foundation, and gives Cherwell the inside story

Review: Come Around Sundown

'Kings of Leon go for a scrappier aesthetic'

The privileges of being a Villager

Matt Walsh talks to Villagers' frontman Conor O'Brien about his song writing and Hermann Hesse

Review: The Social Network

A convincing, witty and devastating portrayal of relationships gone wrong.

Freshers’ guide to Oxford cinemas

A useful guide to Oxford's best places to stuff your face with popcorn.

Fragments from the Fringe

Cherwell Stagents Andrew McCormack, Rimika Solloway and Millie Towsend bring you the thrills and embarrassing spills from the Edinburgh Fringe Festival

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