Monday 4th May 2026

Culture

Peacocks

Their grounds abut a large colonial on Staten Island: Five or six of them Swaggering along verdant lawns, Brick walkways, man-made ponds – Such bravado. What pretty boys! Pets of somebody, clearly. They preen each...

All in a day’s Work.txt: Metatheatre’s extremes

For £5 (and a 42p booking fee), I found myself in a room full...

What I learned from Tracey Emin about regeneration

CW: Abortion I left the Tate Modern’s latest headline show, Tracey Emin: A Second Life,...

In sickness, health, and wrongdoing: ‘The Drama’ in review

CW: Gun violence. “What’s the worst thing you’ve ever done?” is the driving question of...

Review: After the Dance

Amid a crumbling 1930s society, the dance must go on...

Review: Chekhov’s Baby

A 'must-see' production

Review: Accessory to Murder

Dana Walters pieces together the clues to discover a fine new drama

A song about flippers? S-imp-le

Francesca Wade is wowed by the Oxford Imps in rehearsal and in performance

Review: Five Noh Plays

Concepta Cassar is impressed by the creative combination of Ezra Pound and Erik Satie in Merton Chapel

Review: A Little Too Dark

Rosalyn Johnston sees crude jokes and dodgy accents redeemed by some very funny sketches

Review: True Grit

‘I’m too Old and Fat’ - Cherwell takes a look at re-making the Western.

Review: Year of the Rat

George Orwell finds love and talking animals on a remote island...

We’re All Bokononists

Kurt Vonnegut's insight applies to today's political culture.

Review: Tribes gig at the Cellar, 5th February

Flo manages to catch up with the band before their gig

Review: Gil Scott-Heron And Jamie xx – We’re New Here

An album that will win you over to the 'post-dubstep' sound of 2011

Review: Barber Of Seville

Leah Broad praises New Chamber Opera's production of The Barber at the Sheldonian Theatre

Prepare to De/Install

Henrietta Landells chats with Peter Shenai, one of the brains behind MAO's new installation.

‘And the loser is…’

Cherwell looks at the best films to have not won a Best Picture Academy Award

When TV thinks big

Cherwell considers the thinning line between television and cinema

Review: Batman The Pantomime

The Dark Knight becomes Light Entertainer

Review: A Dream Play

William Hooper finds his dreams coming true in this spectacular production

Farce: A Serious Business

An interview with author and director of Restrictions May Apply

First Night Review: Monsters

Rimika Solloway sees this powerful production answer its critics

The awards season hits oxford

A look at the upcoming Oxford Film Festival and the "Ox-scars"

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