Pecadillo Productions’ latest show is (quite rightly) aiming for Fringe, but this kooky, self-assured tragicomedy has immediate cult classic potential.
Often, how much we like artwork comes down to ‘vibes’, initial gut-reactions we make, and then quickly negate by stating that surely it's all about taste.
Smith’s appointment has raised some serious questions about the extent to which nepotism and celebrity is superseding artistic talent in the fashion industry at present.
May Anderson takes part in an intense rehearsal for She was Yellow, coming to the Burton Taylor in 3rd week, and briefly loses the boundary between reality and fiction
Antz and A Bug's Life, Deep Impact and Armageddon, Kick-Ass and Hanna: similarities in themes and plot demonstrate Hollywood's inability to go beyond trends
The latest round-up of contemporary British art, In the Days of the Comet, proposes to show us ‘alternative ways of thinking about the here and now’ yet only seems to confuse and irritate