Culture

Kooky and self-assured: ‘Brew Hill’ in review

Pecadillo Productions’ latest show is (quite rightly) aiming for Fringe, but this kooky, self-assured tragicomedy has immediate cult classic potential.

Culture Abigail Lakeland -

Art is an argument, so argue back

Often, how much we like artwork comes down to ‘vibes’, initial gut-reactions we make, and then quickly negate by stating that surely it's all about taste.

Art Maxim Vorobev -

Red soles, red flags: Jaden Smith and the celebrity takeover of high fashion

Smith’s appointment has raised some serious questions about the extent to which nepotism and celebrity is superseding artistic talent in the fashion industry at present.

Culture Victoria Corfield -

The ‘Silent’ Film

Not speaking does not necessarily mean having nothing to say. As much can be said with an image, movement, or glance as with a word.

Culture Willow Jopp -

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Simon Torracinta discusses the sensual new release by Swedish quartet Little Dragon

Britain and Ireland in colour

Sophie Balfour-Lynn takes us away from this week's riots with some captivatingly beautiful photographs of British and Irish landscapes and wildlife

An American parable

Jacob Williamson takes a look back at The Social Network and thinks about why its issues and ideas will continue to matter

Review: Wild Abandon by Joe Dunthorne

Francesca Wade is impressed by the Submarine author's new offering, a hilarious apocalyptic novel set on a Welsh commune

Washington DC, the street

Lauri Saksa hunts for pictures in the American capital

Cherwell Music presents Mixer: July 2011

Cherwell Music kicks off its series of online mixtapes with a round-up of recent releases and summer jams, featuring tracks by Wavves, BjÃ¶rk, Washed Out, Kendrick Lamar, and more

Review: Snow Patrol – Called Out In The Dark

Susan Yu explores the Bangor rock band's first comeback single

Review: The Horrors – Skying

The Horrors' third studio album is an immersive and coherent experience, writes James Manning

Review: Two Gallants at Hoxton Bar

The long awaited return to the road of this blues-folk duo leaves Cherwell wanting more

Review: Autre Ne Veut – Body EP

Cherwell finds little substance behind the eccentricity on the avant-R&B artist's latest EP

Review: Theophilus London – Timez Are Weird These Days

Cherwell is unconvinced by the Brooklyn rapper's debut album, following his breakthrough EP earlier this year

A farewell to Lucian Freud

Cherwell looks back on the life and art of Lucian Freud, one of the greatest portrait painters of our time

The best band you’ve never heard of

Steffan Blayney explores the odd delights of The Odolites, 25 years on

Shorted circuits

With the release of Transformers: Dark of the Moon, Huw Fullerton muses on how the franchise lost its way

Sexual stuff and nonsense

Matthew Isard finds himself disappointed by Kaboom, Gregg Araki's story of sexual awakening with a sci-fi twist

What’s it like to be a bee?

Brian Earp takes a look at our moral obligations towards insects in the light of new research which concludes honey bees feel emotion

Banter and Posthumousness

Cherwell asks Lars Iyer some questions about his debut novel, Spurious, and the relationship between fiction and philosophy

Review: Within and Without

Cherwell finds moments of assertion on Ernest Greene's debut album

Review: The Tree of Life

Not exactly a review: Jacob Williamson struggles to come to grips with The Tree of Life

Teacher of Dance

Cherwell is illuminated by Haegue Yang's first major UK show at Modern Art Oxford, and its exploration of ideas through light, shape, and movement

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Culture

Kooky and self-assured: ‘Brew Hill’ in review

Art is an argument, so argue back

Red soles, red flags: Jaden Smith and the celebrity takeover of high fashion

The ‘Silent’ Film

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