Pecadillo Productions’ latest show is (quite rightly) aiming for Fringe, but this kooky, self-assured tragicomedy has immediate cult classic potential.
Often, how much we like artwork comes down to ‘vibes’, initial gut-reactions we make, and then quickly negate by stating that surely it's all about taste.
Smith’s appointment has raised some serious questions about the extent to which nepotism and celebrity is superseding artistic talent in the fashion industry at present.
Cherwell's Music Editor, Simon Torracinta, takes a look at Father, Son, Holy Ghost, the much-anticipated sophomore effort by California-based indie rockers Girls
Laura Marling dazzled with her first two albums, especially critics’ darling sophomore release I Speak Because I Can. Does her third full-length match up? Matt Walsh takes a look.
This week, we continue with the second part in our series on street festivals as Sophie Balfour-Lynn gives us a taste of the drama at Edinburgh Fringe Festival.
Was the magic really there? Now that the world and his wife is sure to have seen the final installment, Cherwell takes a look back over the Harry Potter film series and says... No.
Cherwell Music presents one hour of August's best music, from Blood Orange's minimal indie-funk to the swaggering single from hip hop super-duo DOOMSTARKS.