Culture

The performance of watching: Cinema in the Letterboxd age

While watching Paul Thomas Anderson’s One Battle After Another (2025) a few weeks ago, I found myself asking a rather disturbing question: “I wonder what people on Letterboxd are...

Culture Eve Thomas -

Film festivals should be more pretentious, actually!

Film festivals often get a bad rep. We’ve all heard the stereotype before: they...

Culture Luisa Blacker Espozel -

On the edge of honesty: ‘The Man Who Turned into a Stick’

To rehearse and perform an entire student production before the second week of Michaelmas...

Culture Mair Andrews -

Erotic suspense and trickery: ‘Twelfth Night’ at St Hugh’s

Lovers mismatched, siblings detached, and plans of trickery hatched: it is the time of...

Culture Mary Stillman -

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The elusive Natasha Frost reviews the fantastic new album from the Shins

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Charlotte Lennon previews the New Writing Festival

Review: Gormenghast

Hannah White-Steel is entertained, but ultimately unsatisfied by this production

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Playwright John Godber talks to Charlotte Lennon about classrooms, class and critics

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Cherwell’s culture editors peck at seventh week’s cultural offerings

Acceptable in the 80s

Cherwell Culture invite you to join their tenuous bid for an 80s revival

Review: Mephisto

Daniel Frampton salutes an intelligent, slick and powerful performance.

Crossovers: when music becomes cinema and vice versa

Sophia Lambton analyses the use of classical music in film

One to Watch: Doctrines

Matt Robinson warns us about the unstoppable force that is Doctrines

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Maria Fox is thrilled by a rather impressive piece of theatre

Review: The Flowers of War

Susan Yu admires Zhang Yimou's visual masterpiece.

Review: Man on a Ledge

Georgina Pollard surveys the highs and lows of Asger Leth's action thriller.

Bondamonium

James Aber reflects on the mind-warping experience of watching all 22 Bond films... at once.

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Culture

The performance of watching: Cinema in the Letterboxd age

Film festivals should be more pretentious, actually!

On the edge of honesty: ‘The Man Who Turned into a Stick’

Erotic suspense and trickery: ‘Twelfth Night’ at St Hugh’s

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