Culture

‘The political is also political’: Ash Sarkar’s ‘Minority Rule’

Universities have often been seen as bastions of radicalism. Forgetting the fact that higher educational institutions, particularly ancient and elite ones in the Anglophone world, are governed by centuries...

Books Morien Robertson -

Graceful and self-assured: Circle Mirror Transformation reviewed

Boulevard Productions’ Circle Mirror Transformation is a faithful and competent take on Annie Baker’s...

Culture Lara Machado -

‘We’re all mad here’: Alice in Won-DRE-Land at Tingewick 2025

When I wandered into Tingewick Hall on a cold, dark evening in seventh week,...

Culture Peter Chen -

A comical approach to a classic text: ‘Hedda Gabler’ reviewed

Tiptoe Productions’ Hedda Gabler, co-directed by Ollie Gillam and Gilon Fox, delivered a strong...

Culture Charlie Bailey -

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A Bluffer’s Guide to: George Bernard Shaw

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Despite a patchy production, Angus Hawkins is impressed by a fascinating story

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Rosalee Edwards feels the fourth wall slipping away in front of her in this enthralling production

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Tommo Fowler is instructed to call this piece of new writing 'meta theatre; mental theatre'

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Susan Yu finds Oxford Folk Weekend to be on good form

Preview: Who’s Afraid of Virginia Woolf?

Angus Hawkins highly recommends this outstanding production

Welcome to Wadstock

Cherwell spends the weekend at Oxford's favourite festival

Seeing a man about a dog

Christy Edwall speaks to author Mark Haddon about what comes after a bestseller

Oxford Oddities #3 – Univ

Viccy Ibbett explores the history of our colleges to discover eccentric artistic personalities, delving into Univ's past

A Bluffers’ Guide to: Anton Chekhov

Our weekly guide for the theatrically illiterate talks you through the Russian literary genius

May the Norse be with you

Rosalee Edwards defends our idiosyncratic Old English module from its critics

Preview: The Soldier’s Tale

Rosalee Edwards' expectations are exceeded by this devilish dance piece

Not so swinging sixties

Adam Whiley finds fault with an autobiography that is doesn't live up to it's promises.

Hey There Delilah

Patrick Scott talks to Delilah about beginning her solo career and putting together her debut album

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Culture

‘The political is also political’: Ash Sarkar’s ‘Minority Rule’

Graceful and self-assured: Circle Mirror Transformation reviewed

‘We’re all mad here’: Alice in Won-DRE-Land at Tingewick 2025

A comical approach to a classic text: ‘Hedda Gabler’ reviewed

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