Tuesday 2nd September 2025

Culture

‘Delusions and Grandeur’ at the Fringe

★★★⯪☆ If there is one word to describe Karen Hall’s Delusions and Grandeur, it is anxious. The one-hour solo cello comedy show is filled with anxiety, existential dread, and uncertainty....

The Oxford Revue at the Fringe

★★★⯪☆ Returning for their 62nd annual pilgrimage to the Edinburgh Fringe, the Oxford Revue rolled...

Academia is hell, literally: R.F. Kuang’s ‘Katabasis’

R.F. Kuang’s Katabasis touches on a range of near-universal academic experiences: impostor syndrome; frantic,...

Oxford Commas at the Fringe – Interview

The Oxford Commas are a contemporary gender-inclusive a capella group who had their Fringe...

Olympic Oxford

Eleanor Grieveson reports from the Oxford Iffley leg of the torch's journey; completed in last night's spectacular opening ceremony

Review: Shades of Dark and Light

Thomas Catterall feels this mixed bag of plays fails to live up to its potential

Review: As You Like It

Finola Austin recommends Daniel Winder's production of this Shakespearian comedy

Review: The Gaslight Anthem – Handwritten

Marc Pacitti is disappointed by a predictable effort from the New Jersey band.

Review: Frank Ocean – Channel Orange

Marc Pacitti is impressed by Frank Ocean's solo release and explores its implications for the hip-hop scene.

Review: Lighter Days

Timothy Bano finds Lighter Days lacking in cohesion

Review: Dark Days

Anna Dominey finds Almost Random Theatre's debut an unpolished performance

Batman’s Moral Maze

Nick Hilton explores the difficult political allegiances of The Dark Knight Rises

A Walk on the Wild Side

Benjamin Bronselaer talks to the animals in Kruger National Park, South Africa

Around Italy in Ten Days

Sophie Baggott captures her train journey through Venice, Florence, and Rome on camera.

Review: Dirty Projectors – Swing Lo Magellan

Marc Pacitti struggles with the complexities of Dirty Projectors' latest release.

Cinema vs the Olympics

Nick Hilton cures the ails of London 2012 with a dose of cinema.

Review: Henry V

Beatrice Borbon is impressed by the sincere humanity in Dominic Dromgoole's production

Light at Night

Amy Rollason works with the unpredictable light of fireworks and fairgrounds

Going Down on Grey

Vickie Morrish finds Fifty Shades of Grey to be an entertaining if unsatisfying read.

Nozstock calling

Nozstock festival is on the hunt for a talented new student band.

Review: Close the Coalhouse Door

Vickie Morrish opens the door to a play rich in mining history

The sun always Riesers

Tom Goulding talks to Tobias Rieser, the man behind Klangkarussell

The Enemy, Streets in the Sky review

Aaron Payne finds much to praise in The Enemy's latest effort.

Review: Arabian Nights

Rosalee Edwards is impressed by the immersive experience this play offers

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