Culture

“You will kill my children!”: ‘A View from the Bridge’ reviewed

The stellar cast of Labyrinth Productions’ A View from the Bridge delivered a layered, spellbindingly emotional interpretation of a classic. Director Rosie Morgan-Males told Cherwell that she was inspired...

Culture Charlie Bailey -

The caring individual: John le Carré at the Weston

At the back of the Weston Library, in a small room off to one...

Books Nancy Gittus -

‘Like the edge of a knife’: Ukrainian pianist Lubomyr Melnyk brings his ‘Continuous Music’ to Oxford

Ukrainian pianist Lubomyr Melnyk took the stage in Magdalen College Chapel and the Holywell...

Culture Lilia Goldstein -

What does a Ruskin artist actually learn? A graduate’s perspective

Create, critique, repeat? Polina Kim interviewed recent John Ruskin MFA graduate Laura Limbourg about...

Art Polina Kim -

Latest

Review: Misfits Series 4

As the final episode of the 4th Series of Misfits airs, Huw Fullerton wonders how far the show's originality and purpose outlived its original cast

Christmas Crackers: Your Yuletide Cinema Guide!

The three wise men aren't the only ones who come bearing gifts this Christmas, Cherwell Film&TV brings you the best of Cinema for the coming weeks!

Typewriters at Dawn

Nina Black looks at literary feuds from Hemingway to Heller

The British Comedy Awards 2012: blasts from the past

Alexandra Sutton wonders whether this really is as good as we've got

Review: Aladdin and the Magic Lamp (North Wall)

Thomas Brookes sees evidence of misplaced genie-us

Review: The Hobbit: An Unexpected Journey

Nick Hilton is simultaneously impressed and frustrated with Peter Jackson's dense vision of The Hobbit

A Year in an Instant

Amy Rollason shares seasonal snapshots from her favourite spots

Review: Uno, Dos, Tre (Green Day)

Marc Pacitti puts the knife into the ageing punks' latest offering.

Review: Peep Show

Peep Show aficionado Tom Beardsworth reviews the first half of Series 8

Review: Great Expectations

Georgina Pollard's expectations were exceeded by this adaptation of a great masterpiece

Guide to Christmas music: 2012

Luke Barratt examines this year’s Christmas offerings, which vary severely in quality

Review: Carmen (ENO)

Finola Austin reviews a production that flirts with controversy yet lacks full conviction.

Review: Liz & Dick

Cherwell FIlm and TV confronts the Mutant Biopic of Elindsabeth Taylohan

Life on the Great Island

It might be cold outside, but Emily Hislop escapes the English winter by taking us to sunny summertime Crete.

Review: Dancing on the Frontier

Tom Beardsworth reviews Oxford student Nico Hobhouse's first travel novel, 'Dancing on the Frontier: Travels by Land through China and Tibet'

Review: The Maids

Potently and unnervingly close to the skin, Genet’s strange tale of Solange and Claire proves an indubitable dramatic success.

A Choral Christmas: A Review of Advent at Merton

Katy Wright enjoys Merton choir's latest offering.

Review: Gambit

Georgina Pollard isn't overly impressed with this Coen brothers scripted comedy

Review: Amahl and the Night Visitors

Rachel Savage is left enchanted and a little emotional by Lincoln Music Society's Christmassy opera

Live Review: Holywell Music Room

Alex Chalk enjoys four inventive guitarists.

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Culture

“You will kill my children!”: ‘A View from the Bridge’ reviewed

The caring individual: John le Carré at the Weston

‘Like the edge of a knife’: Ukrainian pianist Lubomyr Melnyk brings his ‘Continuous Music’ to Oxford

What does a Ruskin artist actually learn? A graduate’s perspective

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