Monday 11th May 2026

Culture

The Big Shot: In Conversation with Greg Brennan

For more than three decades, Greg Brennan has made a career out of being just outside the frame.
Art Willow Jopp -

May Morning

Smudged mascara and the curling of coffee steam. Small yawns and the shuffling of...
Culture Elizabeth Bourn -

Sunday

That Sunday could arrive first-class, Wrapped in tissue and stickers with minimalist logo. Sent anonymously (from...
The Source Rory Maguire -

Hail Agnes full of grace: ‘Hamnet’ and the perfect mother figure

A couple of days ago, I saw an Instagram reel (in the Friends tab,...
Film Ruya Oral -
Latest

Lou Reed’s Final Gig

Ben Wilkinson-Turnbull remembers the rockstar's final performance

Palma Violets competition

Enter now to win tickets to see Palma Violets at the O2!

Introduction To… Peruvian Folk

Olivia Arigho Stiles switches the focus from stanky Western bass to ethereal Andean harmonies

Art: does authenticity matter?

Luke Barratt wonders whether authenticity matters in culture

My Week: Susannah Moody

Susannah Moody discusses her recent cultural favourites

Letter from Rosice

Lazlo writes to us from his year abroad in a Czech small town near Brno

Review: Lady Gaga- ARTPOP

Gaga's latest offering pushes things to the extreme- and not in a good way

Interview: Marvellous Medicine

Luke Barratt gets a quick dose of Oxford’s most exciting live act at Isis’s Cellar night

Review: Autobiography by Morrissey

Please, Please, Please, Let... him stop writing

Review: Actors’ Anonymous by James Franco

Will Pimlott on James Franco's 'trite and embarrassing' new novel

Interview: Albert Alla

Adam Whiley speaks to Albert Alla about his Oxford-set debut novel

Interview: Jim Crace

Emma Hewitt talks politics, journalism and Booker nominations with Jim Crace

More Funny

Claire Watt has a laff with the jokers behind last term's 'Some Funny'

Cuppers 2013

Highlights form OUDS' annual introduction to thespdom

Preview: Shells

From the writer of Bluebeard and Lead Feathers comes a new play, set in a post-apocalyptic Britain

Review: The Hypochondriac

Witty, farcical and mad: this week's play at the Keble O'Reilly was a sheer delight

Introduction to: Grime Instrumentals

George King introduces the sub-low enfant terrible of the British underground

Protest in Art

Delia Lockey discusses how protests are portrayed in culture

My Week: Jen Brennan

Jen Brennan is at University College, reading PPE. She plays percussion for the Oxford University Ceilidh Band.

Letter from Amman

Ollie Radway writes from the capital of Jordan
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