Thursday 13th November 2025

Culture

‘Like the edge of a knife’: Ukrainian pianist Lubomyr Melnyk brings his ‘Continuous Music’ to Oxford

Ukrainian pianist Lubomyr Melnyk took the stage in Magdalen College Chapel and the Holywell Music Room on Monday 3rd and Tuesday 4th November to showcase his unique style, called...

What does a Ruskin artist actually learn? A graduate’s perspective

Create, critique, repeat? Polina Kim interviewed recent John Ruskin MFA graduate Laura Limbourg about...

Why we’re obsessed with Greek myth retellings

In every bookshop today, from Blackwell’s to Waterstones, an unmistakable pattern emerges: Greek myth...

Down the rabbit hole: illustrating ‘Alice in Wonderland’

Alice’s Adventures in Wonderland has long proved an endless source of inspiration to illustrators....

Palma Violets competition

Enter now to win tickets to see Palma Violets at the O2!

Introduction To… Peruvian Folk

Olivia Arigho Stiles switches the focus from stanky Western bass to ethereal Andean harmonies

Art: does authenticity matter?

Luke Barratt wonders whether authenticity matters in culture

My Week: Susannah Moody

Susannah Moody discusses her recent cultural favourites

Letter from Rosice

Lazlo writes to us from his year abroad in a Czech small town near Brno

Review: Lady Gaga- ARTPOP

Gaga's latest offering pushes things to the extreme- and not in a good way

Interview: Marvellous Medicine

Luke Barratt gets a quick dose of Oxford’s most exciting live act at Isis’s Cellar night

Review: Autobiography by Morrissey

Please, Please, Please, Let... him stop writing

Review: Actors’ Anonymous by James Franco

Will Pimlott on James Franco's 'trite and embarrassing' new novel

Interview: Albert Alla

Adam Whiley speaks to Albert Alla about his Oxford-set debut novel

Interview: Jim Crace

Emma Hewitt talks politics, journalism and Booker nominations with Jim Crace

More Funny

Claire Watt has a laff with the jokers behind last term's 'Some Funny'

Cuppers 2013

Highlights form OUDS' annual introduction to thespdom

Preview: Shells

From the writer of Bluebeard and Lead Feathers comes a new play, set in a post-apocalyptic Britain

Review: The Hypochondriac

Witty, farcical and mad: this week's play at the Keble O'Reilly was a sheer delight

Introduction to: Grime Instrumentals

George King introduces the sub-low enfant terrible of the British underground

Protest in Art

Delia Lockey discusses how protests are portrayed in culture

My Week: Jen Brennan

Jen Brennan is at University College, reading PPE. She plays percussion for the Oxford University Ceilidh Band.

Letter from Amman

Ollie Radway writes from the capital of Jordan

Review M.I.A. – Matangii

Adam Piascik is impressed by the singer's return to form

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