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UrbanObserver
Saturday 18th October 2025
Oxford's oldest independent student newspaper, est. 1920
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Culture
Are you listening comfortably? Audio drama and theatre
When people think of podcasts, they probably wouldn’t associate them with theatre. Yet it was this seemingly unlikely convergence between the two forms that led me to attend the...
Culture
Rhys Ponsford
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Algorithms of individuality: ‘The Consciousness Company’
As Stephen Fry wrote, The Consciousness Company by M.N. Rosen addresses the “enormous ethical,...
Books
Maddie Gillett
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Over-the-top-vlogging and call centres: Dial 1 for UK
Dial 1 for UK is a one-man show following the journey of Uday Kumar...
Culture
Caitlin Shaw
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Spike Lee’s lackluster remake: Highest 2 Lowest
There is no reason why a remake should remain inferior to its source material;...
Culture
Matthew Mair
-
Latest
Search
My Week: Susannah Moody
Susannah Moody discusses her recent cultural favourites
Letter from Rosice
Lazlo writes to us from his year abroad in a Czech small town near Brno
Review: Lady Gaga- ARTPOP
Gaga's latest offering pushes things to the extreme- and not in a good way
Interview: Marvellous Medicine
Luke Barratt gets a quick dose of Oxford’s most exciting live act at Isis’s Cellar night
Review: Autobiography by Morrissey
Please, Please, Please, Let... him stop writing
Review: Actors’ Anonymous by James Franco
Will Pimlott on James Franco's 'trite and embarrassing' new novel
Interview: Albert Alla
Adam Whiley speaks to Albert Alla about his Oxford-set debut novel
Interview: Jim Crace
Emma Hewitt talks politics, journalism and Booker nominations with Jim Crace
More Funny
Claire Watt has a laff with the jokers behind last term's 'Some Funny'
Cuppers 2013
Highlights form OUDS' annual introduction to thespdom
Preview: Shells
From the writer of Bluebeard and Lead Feathers comes a new play, set in a post-apocalyptic Britain
Review: The Hypochondriac
Witty, farcical and mad: this week's play at the Keble O'Reilly was a sheer delight
Introduction to: Grime Instrumentals
George King introduces the sub-low enfant terrible of the British underground
Protest in Art
Delia Lockey discusses how protests are portrayed in culture
My Week: Jen Brennan
Jen Brennan is at University College, reading PPE. She plays percussion for the Oxford University Ceilidh Band.
Letter from Amman
Ollie Radway writes from the capital of Jordan
Review M.I.A. – Matangii
Adam Piascik is impressed by the singer's return to form
Interview: Beans on Toast
Luke Barratt talks songwriting and political apathy with the drunken folk singer
Review: Eminem – The Marshall Mathers LP2
Luke Barratt is unexpectedly enthralled by Shady's best offering for years
Preview: Chicago
Some classic tunes and even better tuned direction
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