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UrbanObserver
Saturday 18th October 2025
Oxford's oldest independent student newspaper, est. 1920
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Culture
Are you listening comfortably? Audio drama and theatre
When people think of podcasts, they probably wouldn’t associate them with theatre. Yet it was this seemingly unlikely convergence between the two forms that led me to attend the...
Culture
Rhys Ponsford
-
Algorithms of individuality: ‘The Consciousness Company’
As Stephen Fry wrote, The Consciousness Company by M.N. Rosen addresses the “enormous ethical,...
Books
Maddie Gillett
-
Over-the-top-vlogging and call centres: Dial 1 for UK
Dial 1 for UK is a one-man show following the journey of Uday Kumar...
Culture
Caitlin Shaw
-
Spike Lee’s lackluster remake: Highest 2 Lowest
There is no reason why a remake should remain inferior to its source material;...
Culture
Matthew Mair
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Review: Pericles
A riotous, genuinely fun night of theatre
Preview: Endgame
A look at Oxford's latest Beckett offering
Review: The Material
Hannah Barton enjoys The Edgar Wind Society's first exhibition
Interview: Conn Iggulden
James Tozer talks to the author of The Dangerous Book for Boys
The Price of the Pre-Raphaelites
Mimi Goodall isn't sure if Aidan Meller's new gallery is in keeping with the movement's ideals
Preview: Hercules
Tomos Watkins admires the Herculean effort of Oxford Opera
Interview: Melvyn Bragg
Holly Whiston talks to the veteran broadcaster
Letter from Paris
Theo sends us a letter about her year abroad in Paris
Review: Jake Bugg- Shangri La
Something's really Bugging Jack Chown
Things Done Changed: the rise of gay rap
Matt Broomfield looks at new directions for LGBTQ hip-hop in 2013
Preview: Cyrano de Bergerac
A fresh and captivating production of Antony Burgess' translation of the classic French tale
Preview: Pericles
A combination of imagination and enthusiasm render this ambitious undertaking enjoyable and impressive
Preview: Ruddigore
A warm and funny show complete with talented cast to get you in the mood for Christmas
Review: Shells
Despite a few shortcomings, this is an impressive and thought-provoking production, boasting strong performances and fantastic writing
Review: 100
Georgina Wilson is perplexed more than intrigued by this purgatorial world
Review: More Funny
A couple of technical glitches didn't stop this show from being roundly hilarious
Lou Reed’s Final Gig
Ben Wilkinson-Turnbull remembers the rockstar's final performance
Palma Violets competition
Enter now to win tickets to see Palma Violets at the O2!
Introduction To… Peruvian Folk
Olivia Arigho Stiles switches the focus from stanky Western bass to ethereal Andean harmonies
Art: does authenticity matter?
Luke Barratt wonders whether authenticity matters in culture
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