Culture

Caught Between Grief and Hope: ‘On Some Far Shore’ Reviewed

Fresh off the back of Our House and Macbeth, Cross Key Productions presents an original three-hander focused on the complexities of grief and young love. Produced by Madi Boutcha...

Culture Melissa Eddon -

The road to reckoning: ‘The Slip’ reviewed

Sharp, unsettling, and emotionally intelligent, 'The Slip' is a striking showcase of the ambition and talent behind Wide Eyes Productions, while establishing Wyatt as a writer-director to watch.

Culture Leo Jones -

How an Oxford undergraduate made a name in choral music

When he arrived at Oxford, he expected his future to lie primarily in orchestral music. Instead, it was choral music that transformed his direction.

Culture Anish Vedantham -

‘Scenes With Girls’ and complicated female friendships

'Scenes with Girls' deserves to be seen as one of Labyrinth Productions’ (Rosie Morgan-Males and Emily Cullinan) most impressive accolades.

Culture Charlie Bailey -

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Naomi Polonsky is entertained and disturbed by this student-written play about insanity

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Kurien Parel feels this play has a surprising moral message

Review: A History of Falling Things

George Grylls feels that the ending lets down this engaging production

Review: Man of Mode

Libby Wicks feels this production has its highs and lows

Review: Timon of Athens

Zoe Slater ponders immersive theatre in this production at Magdalen

Preview: Frankenstein

Vicky Holley explores this new take on the weird world of monsters

Review: Father God

Fergus Morgan doesn't receive the religious experience he had hoped for

Review: Into The Woods

Jordan Reed is disenchanted by this magical woodland tale

Review: The Wind Rises

Hayao Miyazaki's farewell masterpiece is stunningly beautiful, moving and profound

Review: Godzilla

Godzilla is ultimately more preoccupied with CGI flash than with emotional depth

Loading the Canon: Rabbi Sacks

Cherwell's weekly call for new additions to the literary establishment highlights the ex-Chief Rabbi's remarkable work

Review: Martin Creed at the Hayward Gallery

Joel Nelson hates Martin Creed’s latest exhibition at the Hayward Gallery on the South Bank

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Culture

Caught Between Grief and Hope: ‘On Some Far Shore’ Reviewed

The road to reckoning: ‘The Slip’ reviewed

How an Oxford undergraduate made a name in choral music

‘Scenes With Girls’ and complicated female friendships

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