Culture

May Morning

Smudged mascara and the curling of coffee steam. Small yawns and the shuffling of boots. Tangled hair plaited by the same girl from first-year, a crumbly pastry shared with...

Culture Elizabeth Bourn -

Sunday

That Sunday could arrive first-class, Wrapped in tissue and stickers with minimalist logo. Sent anonymously (from...

The Source Rory Maguire -

Hail Agnes full of grace: ‘Hamnet’ and the perfect mother figure

A couple of days ago, I saw an Instagram reel (in the Friends tab,...

Film Ruya Oral -

Stubborn, devout, doomed: ‘The Anti-gone’ reviewed

When The Anti-gone begins, the only thing onstage is a lectern – stark in the harsh white light and terribly lonely – before Ismene (Kitty Brown) walks uncertainly down the aisle and stares, torn and lost, into the audience.

Culture Natalie Tan -

Latest

Another modernised Othello, why not?

Having seen Frantic Assembly's production of Othello several years ago, Katherine Cowles argues that it's vibrancy will be well worth seeing this autumn at the Oxford Playhouse

Sziget 2014: Hungary’s answer to Glastonbury?

Kayleigh Tompkins and Charlotte Porter-Hope discover 'The Island of Freedom' .

What film/TV programme is your college?

If you've ever wondered where your college would fit into the world of the big or small screen, look no further.

Review: Reading Festival 2014

Tom Barrie pretends to be sixteen again and reviews the highs and lows of this year's Reading Festival.

Review: The Rover

A revelatory Robert Pattinson transforms this post-apocalyptic thriller into a nuanced and engaging character drama

Theatre etiquette: The response

Bethan Roberts makes the case for rowdier audiences at the nation's playhouses

Oxford’s culture vultures

Naomi Polonsky takes a look at Oxford alumni known for their cultural endeavours

Review: Dry The River – Alarms In The Heart

Luke Barratt is pleased with the Newbury rockers' difficult sophomore effort

Oxford’s literary ghosts

Naomi Polonsky takes a look at the fictional characters who attended, and perhaps still haunt, Oxford University

Review: The Giver

Cody Gifford delves into the societal implications of Jeff Bridges' novel adaptation, The Giver.

Review: Malevich at the Tate

Naomi Polonsky considers the importance of this Russian artist in 20th century art at the retrospective of his work

Review: The Inbetweeners 2

This second cinematic outing for the Inbetweeners gang does nothing new but still has its funny moments

Is Kickstarter’s time up?

Sam Joyce looks at whether Kickstarter is still a filmmaker's financial saviour.

Interview: Armie Hammer

The Winklevoss twin talks fatherhood, exorcisms and Tom Cruise with Cody Gifford

Review: Hercules

Luke Barratt enjoys Hollywood's latest quasi-classical offering

Review: Hide Your Smiling Faces

This tale of childhood and mortality tugs at the heart strings to hauntingly poetic effect

Review: Phox —Â Phox

Stephen Bradshaw reviews the sun-filled melting pot that is Phox's debut album

The Smiths: Then and Now

30 years on, Cherwell examines the legacy of The Smiths' self-titled album

Review: Morrissey — World Peace is None of Your Business

Ben Wilkinson-Turnbull reviews Morrisey’s new album.

Review: Laurence Clark: Moments of Instant Regret

Rose Sykes find this Edinburgh Preview hilariously close to the bone

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Culture

May Morning

Sunday

Hail Agnes full of grace: ‘Hamnet’ and the perfect mother figure

Stubborn, devout, doomed: ‘The Anti-gone’ reviewed

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