Culture

‘A team of criers’: Behind the scenes of ‘Uncle Vanya’

Nothing makes me more excited about a theatre production than hearing a director talk passionately and intelligently about their chosen text. In a conversation with Cherwell, director Joshua Robey’s...

Culture Lara Machado -

Grappling with ‘grief that’s half formed’: Your Funeral

“Meeting up with a partner so soon after a breakup is an awkward time...

Culture Charlie Bailey -

“NOR GLOM OF NIT?”: ‘Going Postal’ reviewed

“NEITHER RAIN NOR SNOW NOR GLOM OF NIT CAN STAY THESE MESENGERS ABOT THEIR...

Culture Rhys Ponsford -

On Gravel and Quads: Woolf’s Oxbridge in ‘A Room of One’s Own’

Virginia Woolf’s extended essay A Room of One’s Own is probably the most important...

Books Benjamin Waterer -

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Stephen Bradshaw chats to the break-out student outfit

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Joel Nelson has a look at Sylvester Stallone’s artistic credentials

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Tom Barrie finds David Fincher's latest film as hard-hitting as ever

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Luke Barratt meets Christopher Brown as his sixteen-year tenure at the museum comes to an end

Review: ’71

Joe Holt found this directorial debut an unrelenting exploration into the nature of conflict

The contrary states of the human condition

Isaac Goodwin explores the themes of conflict and cohesion in the works of William Blake

Picks of the week MT14 Wk. 2

Cherwell brings you the best of this week's gigs, plays and events

Top Gear: Total War

Ollie Johnson examines the routes of the Top Gear Empire's success

The Cherwell guide to Drama Cuppers 2014

Everything you need to know to get the most out of the freshers' drama festival

Shakespeare in Japan

Miles Lawrence gives us a behind-the-scenes glimpse of the OUDS Tour

Loading the Canon: 12 Years a Slave

Cherwell calls for new additions to the literary establishment, 12 Years a Slave answers

Why iPads don’t belong in galleries

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Culture

‘A team of criers’: Behind the scenes of ‘Uncle Vanya’

Grappling with ‘grief that’s half formed’: Your Funeral

“NOR GLOM OF NIT?”: ‘Going Postal’ reviewed

On Gravel and Quads: Woolf’s Oxbridge in ‘A Room of One’s Own’

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