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UrbanObserver
Monday 27th October 2025
Oxford's oldest independent student newspaper, est. 1920
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Culture
‘A team of criers’: Behind the scenes of ‘Uncle Vanya’
Nothing makes me more excited about a theatre production than hearing a director talk passionately and intelligently about their chosen text. In a conversation with Cherwell, director Joshua Robey’s...
Culture
Lara Machado
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Grappling with ‘grief that’s half formed’: Your Funeral
“Meeting up with a partner so soon after a breakup is an awkward time...
Culture
Charlie Bailey
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“NOR GLOM OF NIT?”: ‘Going Postal’ reviewed
“NEITHER RAIN NOR SNOW NOR GLOM OF NIT CAN STAY THESE MESENGERS ABOT THEIR...
Culture
Rhys Ponsford
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On Gravel and Quads: Woolf’s Oxbridge in ‘A Room of One’s Own’
Virginia Woolf’s extended essay A Room of One’s Own is probably the most important...
Books
Benjamin Waterer
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Review: Whiplash
Jennie Han is impressed with the unrelenting, staccato rhythm of Whiplash
Review: Enemy
Anthony Maskell thinks that Enemy is a film of Orwellian paranoia and bleak isolation
Preview: Richard Parker
Christian Amos gets an inside look at this exciting new play
Review: Into the Woods
Aimee Kwan is spellbound by Into the Woods’ big-screen adaptation
Review: Testament of Youth
Naomi Morris Omori appreciates Testament of Youth’s searing poignancy
John Williams’ Stoner: ahead of its time
50 years on, Rose Sykes asks why this book was forgotten
Rembrandt: The late works at the National Gallery
Mark Barclay feels that the paintings of the Dutch master strike a powerful chord
New term, new Audrey
Bethan Roberts checks out this term's first comedic offering
Barbarism begins: Meat is Murder at thirty
Ben Wilkinson-Turnbull looks back at a classic album from The Smiths
Preview: The Dumb Waiter
Fay Watson gets the low-down on this production of a Harold Pinter classic
Review: Belle and Sebastian-Girls in Peacetime Want to Dance
Ben Wilkinson-Turnbull finds himself underwhelmed by two-thirds of the band's ninth album
Review: Panda Bear – Panda Bear Meets the Grim Reaper
Aidan Clark reviews the latest album from the experimental musician and co-founding member of Animal Collective
Review: Death Grips – Fashion Week
Henry Bruce-Jones reviews the latest surprise offering from the supposedly no longer together experimental hip hop group
Picks of the Week HT15 Week 2
Cherwell brings you the best of this week's gigs, plays and events
Milestones: Edward Bond’s Saved
Fergus Morgan examines the monstrosity of violence in Edward Bond's controversial work
Frankenstein, Godzilla and now Norman Foster
Ollie Johnson decries the monstrous state of our modern city skylines
Where are they now: Nizlopi
Cherwell delves into the later careers of one-hit-wonders so you don’t have to
Shades of the Savannah
Rachael Griffith plays with the Malawian, Zambian and Kenyan sunshine in this collection of vivid photos
Preview: The Oxford Revue’s Audrey
Stage asks The Revue about what to expect from their Audrey's this term.
Voices from the Past: Robert Browning
In the first of an online serial, Cherwell Arts and Books discusses the only known recording of Browning's voice
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