Friday 15th May 2026

Culture

The Devil is Sponsored by Dior: ‘The Devil Wears Prada 2’ in review

In the world of The Devil Wears Prada 2, there is one thing that could have never existed: The Devil Wears Prada.

Hidden Gems: ‘The Storytellers’ at Worcester College

From the first moments, The Storytellers feels unusually thoughtful, generous, and alive.

Toni Servillo shines in thoughtful assisted dying drama: ‘La Grazia’ in review

Does Big Tobacco sponsor Paolo Sorrentino’s films? Almost certainly not, but their money would be worse spent elsewhere.

Galliano for the masses (on the Zara sale rack)

The fashion world is mourning the loss of John Galliano. Not a literal death, but something closer to a fall from grace.

Review: NUTS – ‘a harrowing portrait of deceit and desire’

NUTS works in its ability to keep the audience on edge, waiting for the delicately thin emotional facades the characters have built to come crashing down. 

“Mummy said I’m pretty”: Nepo babies on the runway

What positive changes are the people born into this system going to advocate for?

‘The Pink City’: Ten generations of Jaipur gems

Cherwell visited the Choudhary family's prestigious jewellery collection, now almost 300 years old.

Lessons From A Taiwanese Coaster

I woke up in a world Where everything was beautiful, And nothing hurt.

Ovid meets modern identities in Sap

This will certainly be a loose retelling of Ovid’s Daphne and Apollo, but a dutiful one nonetheless.

Oxford’s first Hip-Hop Society breaks it down

As Oxford's newest musical society explores ways to facilitate a much-needed space for hip-hop music, only one question springs to mind; where have they been all this time?

Review: Les Liaisons Dangereuses at the Oxford Playhouse – “Nic Rackow is revelatory” 

This new production of Les Liaisons Dangereuses, a glamorous, engrossing period drama, showing at the Oxford Playhouse, is elevated by its stars into one of the great shows of the year. 

Reinventing the epistolary novel

It looks like, then, the epistolary novel isn’t dying out completely—just reinventing itself.

Review: Beetlejuice, Beetlejuice

Burton’s famous gift for mixing the dark and eerie with the fun and satirical shines through once again.

Oxford Horror Soc, un-earthed

The Oxford Horror Soc, led by Izzy Reese, is Oxford’s first and only society dedicated to the on-screen horror genre.

The com(m)e(n)t

Scrunching it into a ball,  you toss it atmospheric, out of sight. 

Candles

Dreams are made of candles, pinpricks of a deeper light.

Charity shop pirates: Is second-hand shopping as sustainable as we think?

We're applying a more-is-more attitude to what ought to be a sustainable resource.

The sounds of student protest

Their monopoly on the sonic space means that they are in charge of disseminating information to the public. In other words, they were not walled off. 

Lights, camera, Liaisons

It will undoubtedly be the one of the most all-out, technically spectacular shows that Oxford student drama has seen in a long time.

Review: May We Be Forgiven by A.M Homes

Weird and wonderful. Heavy at times, strange throughout, but uplifting to the end. An incredible read.

The best books I read this summer

In a desperate attempt to extend the holiday, here are the best books I read this summer...

‘Glitz, glamour, pizzazz’: In conversation with The Great Gatsby

This weekend, I sat down with Mina Moniri and Peter Todd, the co-writing/co-directing duo of a brand-spanking new adaptation of F. Scott Fitzgerald’s The Great Gatsby.

Review: The Safe Keep by Yael Van der Wouden

In not necessarily liking Isabel, we are free to understand her, even if this understanding does boil down to something rather simple.

Ticketmaster hurts student concert culture

Competitive, difficult, and opaque. All words associated with the Oxbridge admissions process. More recently, however, they have been used by disappointed Oasis and Coldplay fans in relation to Ticketmaster.

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