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UrbanObserver
Friday, May 30, 2025
Oxford's oldest independent student newspaper, est. 1920
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Culture
Gregory Crewdson: How to remain relevant in the world of fine art photography
For anyone embarking on their photography journey now, the world of image creation can seem very daunting. The market is oversaturated with photographers, all creating broadly similar and anonymous...
Art
Richard Kuehl
-
Film photography: How I went from believer to skeptic
I’m far from the first person to point out the recent revival of analogue...
Art
Richard Kuehl
-
The afterlife of stories: The art and ambiguity of literary retellings
Love, betrayal, justice, jealousy: these are timeless themes, woven into the human experience for...
Books
Saskia Maini
-
What books do professors of different subjects read?
In discussion of ‘the great man theory’, Professor Dominic Scott discussed his recent reading...
Books
Harriet Breakey
-
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Preview: Catz Arts Festival
Tom Barrie looks ahead to a week of arts events at St Catherine's
Review: Toro y Moi – What For
Sam Joyce is impressed by a subtle new direction from Toro Y Moi
In photos: the fire at the Randolph
Cherwell brings you a visual montage of the events unfolding
Review: The Whitworth Gallery
Mark Barclay visits new exhibitions in Manchester's most prestigious art gallery
Review: Lost River
Ryan Gosling loses himself beneath his influences, in his stylish but messy directorial debut, Sam Joyce writes
6 songs to keep the Oxford bubble alive over the vac
Only a week to go before you return, but these songs should help to keep you going until then
Review: Kid Rock – First Kiss
Kid Rock fails to impress William Ferris with his latest offering
Coalition
Mark Barclay finds this Channel 4 film pits power against principle to dramatic but disenfranchising effect
Review: Cinderella
Anthony Maskell finds the live action Disney flick entertaining but unambitious
The Stranglers reviewed: no more heroes anymore?
Ben Wilkinson-Turnbull reviews 70s rockers, The Stranglers' latest appearance at Oxford's O2 Academy
Blade Runner: The Final Cut
In the wake of the BFI's cinematic re-release of the cult classic, Toby Scadding takes a look back at how audiences came to love Blade Runner
Review: The Tale of Princess Kaguya
Rose Sykes is completely won over by this visually-striking, grown-up folk tale from Japan's Studio Ghibli
Review: NTLive’s A View from the Bridge
Sophie Hall-Luke finds the view from her cinema seat perfect for this stage adaption
Review: Still Alice
An Oscar-winning Julianne Moore is left in search of a film, in this Alzheimer's drama
Review: The Babadook
Anthony Maskell calls The Babadook a landmark chiller
An artist’s obsessions
Surya Bowyer reviews the Barbican's eclectic new exhibition of artists' personal collections
Review: Poldark
Sophie Hall-Luke is seduced by Poldark's charms.
Review: Insurgent
Emmanuelle Soffe struggled to engage with the latest disposable entry in the Divergent series.
Review: Wild Tales
Toby Scadding finds this Almodóvar produced anthology a riotous examination of people pushed to the brink.
Review: Nurse
Dominic Hewett finds Paul Whitehouse's new dark comedy adept at balancing humanity and humour
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