Culture

Caught Between Grief and Hope: ‘On Some Far Shore’ Reviewed

Fresh off the back of Our House and Macbeth, Cross Key Productions presents an original three-hander focused on the complexities of grief and young love. Produced by Madi Boutcha...

Culture Melissa Eddon -

The road to reckoning: ‘The Slip’ reviewed

Sharp, unsettling, and emotionally intelligent, 'The Slip' is a striking showcase of the ambition and talent behind Wide Eyes Productions, while establishing Wyatt as a writer-director to watch.

Culture Leo Jones -

How an Oxford undergraduate made a name in choral music

When he arrived at Oxford, he expected his future to lie primarily in orchestral music. Instead, it was choral music that transformed his direction.

Culture Anish Vedantham -

‘Scenes With Girls’ and complicated female friendships

'Scenes with Girls' deserves to be seen as one of Labyrinth Productions’ (Rosie Morgan-Males and Emily Cullinan) most impressive accolades.

Culture Charlie Bailey -

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Cuppers in Retrospect

Richard Birch and Matt Roberts cut their editorial teeth on cuppers

The eternal Hugh Grant clone

Priya Khaira-Hanks scrutinises the draining repetition of the straight white male

Ai Weiwei at the RA: drudgery revitalised

George Haggett discusses Weiwei’s exhibition and his subversion of everyday mundanity

Rewind: Newton Faulkner

Tom Barrie rewinds to the birth of an artist as sickly sweet as his heritage

Culture Corner: Hysteria, T.S. Eliot

Bex Watson thinks T.S. Eliot does a pretty good job narrating the eternal self-consciousness of society

Is This Art? ‘Stronger Looks Better Naked’

With the definition of art increasingly unclear, the Cherwell Art & Books team are on a mission to decide what art is. This week Charlie Willis takes on KhloÃ© Kardashian's new book