Friday 6th June 2025

Culture

Duplicity, infidelity and loyalty in ‘Crocodile Tears’

“An Italian summer romance that goes wrong” – this is how Crocodile Tears was first pitched to me by its writer, Natascha Norton, when I sat down with her...

Review: The Great Gatsby – ‘Indulge the extravaganza’

Sophia Eiden’s production of Simon Levy’s script of The Great Gatsby is an undoubted...

Barry Lyndon – Kubrick’s ultimate antifilm?

Barry Lyndon has always been dismissed within Kubrick’s filmography. While he is a filmmaker...

Cinema’s hidden gems: Daisies (1966)

Whilst mainstream cinema more often favours the safe and the familiar, some of the...

Review: Pentecost

Mark Barclay wishes more productions go where this one dares to go

Review: Singin’ in the Rain

Richard Birch is swept up by the ageing Hollywood magic

Keeping the British end up

Alec Badenoch reviews Bond's much anticipated new outing

The genius of Nicolas Cage

Phyllis Steinmann discusses Cage's most thought-provoking film

Yayoi Kusama: repetition and restfulness

Sam Joyce on the purpose and process behind the avant-garde’s high priestess of polka dots

ISIS, iconoclasm and art — for peace’s sake

Katherine Hinzman argues that attacks on cultural artefacts force us to reevaluate our notion of art

Patterns in the barkcloth

Beth Timmins takes a look at the British Museum’s latest exhibition

Sharing Poetry Pie with Roger McGough

Ben Ray talks to Roger McGough about children’s poetry and the importance of the everyday in life

Review: Bob Dylan at the Royal Albert Hall

Benedict George on how the King of Folk is still current

Next-gen Darwin not evolving

Morgan Harries talks boredom with a “soul-sick” Darwin Deez

Oxford Lieder Festival: Singing Words

Frankie Perry shines a spotlight on this year’s edition of the renowned classical music celebration.

Preview: Playhouse Creatures

Oliver Williams is equally intrigued by the play and the director at the BT

Milestones: Sympathy for the Devil

This week, Samuel Dunnett worships at the altar of the Rolling Stone’s ‘Sympathy for The Devil’ and its lasting legacy for satanism in music

Between the devil and the (Johnny) Depp

Fintan Calpin on the perils of looking too deep into Polanski’s occult thriller The Ninth Gate

Interview: Jamie Phillips

James Chater chats to the up-and-coming conductor about his visit to Oxford

Review: The Prophetess

A very frank view of Student Opera

Sci-fi classic? Not by a giant leap

Patrick Oisin Mulholland reviews Ridley Scott's The Martian

Satanic Panic: Pentagrams and Pent-up Angst

Sam Joyce goes on an occult odyssey back to the 1980s to revisit a ludicrous moment in popular culture

Review: If Alice

Mark Barclay reviews his favourite show of the term this far

Hecuba as never seen before

Lucy Clark is stunned by the RSC’s radical reinvention

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