Thursday 19th March 2026

Culture

‘Comedy is very deceptive’: Seán Carey on ‘Operation Mincemeat’

As a history student, you occasionally come across stories so strange they feel almost fictional. Operation Mincemeat is one of them.
Culture Hattie Simpson -

How 2025’s biggest films made their mark through music

The recent Oscar nominations have allowed us to reflect on how fundamental musical scores are to film, and the highlights of last year’s film soundtracks.
Culture Ruaridh McEwen -

Translating Oxford into Urdu

It’s a different emotion whenever I read the Urdu language. I’m not a native speaker, nor have I actively pursued learning the language, but as someone who finds solace in reading shayari (Urdu poetry), I wanted to follow it even in Oxford.
Books Manya Singh -

Stitching the world together: GFC’s London Fashion Week show

A few weeks ago we, the Cherwell fashion editors, were lucky enough to be extended an invite by the Global Fashion Collective to their London Fashion Week show.
Culture Cherwell Fashion -
Latest

Harry Potter and the Procrastinators’ Tome

Izzy Smith is reminded of the comforting power of the books of our childhood

Home is where the art is: Helen Pinkney

Bill Freeman investigates his artist godmother’s inspirations and her relation to the process of creation

‘Enter First Lobster’

Miriam Nemmaoui plays the drama queen and attacks the state sector's failing arts curriculum

Author of the week: Halldór Laxness

Ellie Duncan takes a look at one of Iceland's greatest writers

Through the Looking Glass: Benazir Bhutto

Safa Dar paints a colourful picture of Benazir Bhutto taking Oxford by storm

The Road of Dreams

Travelling was once a life-and-death decision, not just a leisurely impulse

Don’t mess with Artemesia

Oliver Baldwin explores the dark story behind Artemesia Gentileschi’s paintings of powerful women

Which film best represents your college?

In a three part special, Jack Allsopp explores the movies that reflect our homes away from home

Preview: Edward II

Callum Luckett waxes lyrical about this new production of Marlowe's masterpiece

Review: ‘White Trash’ by Nancy Isenberg

Daniel Villar finds this survey of white working class America wanting

In conversation with the creators of ‘STOP’

Suzy Cripps talks mental illness and magic with the writers of a new musical

Review: The xx—A masterstroke of production

Dom Saad pulls apart the intricacies of The xx’s third album, I See You

Album of the week: Bonobo’s Migration

Bonobo’s Migration is a five star delight, says Natalia Bus

Who’s in the artistic power seat?

Ella Hill discusses Tristram Hunt’s appointment at the V&A and the continuation of gender inequality in the UK’s major museums

Review: ‘La La Land’

Jonnie Barrow is amazed by Chazelle’s modern musical, which reinvents a forgotten genre

Old&New: Pascal Pinaud, Granny’s modern rival

Yet another woolly jumper and a visit to the Maeght Foundation outside Nice push Sophie Jordan to consider the artist’s unexpected inspirations

Author of the week: Paul Beatty

A look at the winner of the 2016 Man Booker Prize

Home is where the art is—Doug Eaton and The Forest of Dean

Ewan Davis finds Doug Eaton’s unlikely colour palettes faithful to the landscape of the Forest of Dean

Brandon Flowers: “Nobody ever had a dream round here'”

Brandon Flowers is the most underrated musician of the 21st century, says Henry Shalders

Review: Bowie’s Lazarus

Julia Alsop is perplexed by the stellar complexities of this production at the King’s Cross Theatre
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