Culture

Caught Between Grief and Hope: ‘On Some Far Shore’ Reviewed

Fresh off the back of Our House and Macbeth, Cross Key Productions presents an original three-hander focused on the complexities of grief and young love. Produced by Madi Boutcha...

Culture Melissa Eddon -

The road to reckoning: ‘The Slip’ reviewed

Sharp, unsettling, and emotionally intelligent, 'The Slip' is a striking showcase of the ambition and talent behind Wide Eyes Productions, while establishing Wyatt as a writer-director to watch.

Culture Leo Jones -

How an Oxford undergraduate made a name in choral music

When he arrived at Oxford, he expected his future to lie primarily in orchestral music. Instead, it was choral music that transformed his direction.

Culture Anish Vedantham -

‘Scenes With Girls’ and complicated female friendships

'Scenes with Girls' deserves to be seen as one of Labyrinth Productions’ (Rosie Morgan-Males and Emily Cullinan) most impressive accolades.

Culture Charlie Bailey -

Latest

CRUSH preview: ‘A chaotic scramble through the teenage years’

I sat down with Hannah Eggleton, Director & Writer of CRUSH, to talk power, performance, and the making of her debut full-length play, premiering...

Telling stories about telling stories: Previewing ‘The Antipodes’

In a windowless room in an abstract part of Oriel, I sat in on a rehearsal for Annie Baker’s The Antipodes (2018), on at...

A Pelican Crossing Somewhere on Green Dragon Lane

"The passage of time is a bloodthirsty hound."

Doctor Zhivago: The banned book the CIA smuggled across the Iron Curtain

“May it make its way around the world. You are hereby invited to watch me face the firing squad.” These were the words of Boris...

Sally Rooney, a Flaubert for today?

Like millions of other people in recent years, I have fallen victim to the ongoing Sally Rooney craze. The Irish author, whose novels have...

Twenty-seven years on from The Satanic Verses: Can works of fiction be political?

On the 16th May, the man who stabbed author Salman Rushdie following a literary event in 2022 was sentenced to 25 years in prison....

Roots and rhythm: The living legacy of Dot’s Funk Odyssey

"Talent, friendship, and absurd levels of joy"

Metal becomes mainstream: Sleep Token breaks through

Metal is a genre that is certainly out of fashion. Gone are the days of long, flowy Metallica-esque hairstyles, studded gloves, and all too...

Gregory Crewdson: How to remain relevant in the world of fine art photography

For anyone embarking on their photography journey now, the world of image creation can seem very daunting. The market is oversaturated with photographers, all...

Film photography: How I went from believer to sceptic

I’m far from the first person to point out the recent revival of analogue technologies. Ever since the late 2010’s, both vinyl records and...

The afterlife of stories: The art and ambiguity of literary retellings

Love, betrayal, justice, jealousy: these are timeless themes, woven into the human experience for millennia. It’s no surprise, then, that they have shaped our...

What books do professors of different subjects read?

In discussion of ‘the great man theory’, Professor Dominic Scott discussed his recent reading – War and Peace by Leo Tolstoy – during his...

Review: Fiddler on the Roof – ‘Bringing the beloved production to life’

"It was truly a delight to listen to and watch"

‘Anselm Kiefer: Early Works’ review

I still remember the first time I saw Anselm Kiefer’s work. I was in the Pompidou Centre, Paris, and I’d been stumbling around the...

Review: Suddenly Last Summer – ‘Cannibalism, love, and lobotomies’

This week at the Burton Taylor Studio, a new rendition of Tennessee Williams’ Suddenly Last Summer is a feast for the eyes and the...

Recorded theatre: The oxymoron of the prerecorded-live production

"Are we witnessing the downfall of the priority of ‘LIVE’ theatre?"

Review: The Boys by Leo Robson – ‘Sparkling, enjoyable, sad’

There is a passage in James M. Cain’s Double Indemnity (1943) in which an insurance agent, warming up to defraud his company and murder...

Playing with history: How does theatre shape our past?

"There is nothing more fascinating than a good historical drama; something about a true story that packs that extra punch."

Review: Closer – ‘Where Marber fails’

Labyrinth Production’s staging of Patrick Marber’s 1997 play, Closer, was an ambitious move for a student-run production company. Ambitious as it was, the cast...

Review: JACK – ‘Gas-lit showstoppers, intrigue, and murder’

Jack The Ripper is arguably the most famous killer of the Victorian era. There is a fanatical fascination with his case. He is a...

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Culture

Caught Between Grief and Hope: ‘On Some Far Shore’ Reviewed

The road to reckoning: ‘The Slip’ reviewed

How an Oxford undergraduate made a name in choral music

‘Scenes With Girls’ and complicated female friendships

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