It’s no secret that Oxford has long been an idealised location for film sets; official-looking SUVs with blacked-out windows and attendants in high vis parading up and down Catte Street and around the Rad Cam are a not-unfamiliar sight.
Ideally, we should strike a balance; an awareness of the reality of life at Oxford can co-exist with an appreciation of its grand architecture and historical atmosphere.
As part of our look back on the Russian Revolution, Izzy Smith admires Dorfman’s complex but visceral examination of the aftermath of revolution in his play Death and the Maiden
It is a truth universally acknowledged that commercial filmmaking has recently entered a new phase of life. Countless articles and blogs bemoan the lack...
Under-appreciated in her own time not only as an actress but also as a reviewer, our melodramatic fresher is driven to desperation, even considering writing for Cherwell.