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UrbanObserver
Friday 25th July 2025
Oxford's oldest independent student newspaper, est. 1920
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Culture
Jacob Collier is on scintillating form at Love Supreme
Despite being a seven-time Grammy Award winner, it was only at the 2025 Love Supreme Festival in Glynde that Jacob Collier had his first major festival headline show. Wearing his...
Music
Susan Yu
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‘Pour summer in a glass’: retracing Dandelion Wine
“You did not hear them coming. You hardly heard them go. The grass bent...
The Source
Cici Zhang
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Reviving the symposium at the Ashmolean Krasis programme
Dara Mohd, herself a Krasis Scholar, converses with Dr Jim Harris about his object-centred symposium program, Krasis, at the Ashmolean Museum.
Art
Dara Mohd
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‘This Room Their Lives’ in Magdalen College’s Waynflete building
Every Magdalen member remembers their first encounter with the Waynflete Building. Sticking out a...
Art
Josie Stern
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Iraq is not a twentieth century Crusade
Oxford historian Christopher Tyerman delivers a polemic speech against rhetorical comparisons between the war on terror and the crusades
The Shape of Water – an odd romance makes perfect sense
Jonnie Barrow finds many parallels to modern issues despite The Shape of Water's period setting
Withnail and I was a buddy comedy unlike any other
An old cult film showing in Cowley proves to be more sadly relevant to the student experience than expected
Hedda: “the story of a woman who demands a better life”
We chatted to the female-identifying members of the cast and crew of Hedda to find out what the play and its protagonist mean to them
Brakes review – ‘ticklingly funny and quietly frightening’
A refreshingly home-made and honest depiction of break-ups
Disposable Perspectives – Hope and despair in the margins of Paris
Amateur photography by refugees give a personal insight into the refugee experience
Victory review – ‘Julia Pilkington’s direction places us on a knife edge’
Victory is a reminder of student theatre's capacity to thrill and chill in equal measure
Girls and Boys review – ‘a drama that not only strikes, but leaves us sizzling’
Tony Wilkes is wowed by an unexpected trip to see the Royal Court's latest show starring Carey Mulligan
Black Panther celebrates black culture in all its glory
Examining the social power of Marvel's latest release
‘Artivism’ review – avoidance and awkward silence
The first half had the art but the second lacked the activism.
50 Shades Freed confines and confuses its viewers
The final chapter of the sex-fuelled saga encounters problems during its climax
Don’t give up on America
There’s much more to America than the current administration. John Mainland still has faith in the US
The changing face of the Virgin
Chris Ofili's new depiction of the Virgin Mary is shocking and enticing in equal measure
Two views on love compete for our heart
A medium must be found between unreal romanticism and cold rationalism
A woman who made a difference – for better or worse
Letters from Baghdad is a film about a colonialist woman who changed the history of the Middle East
The Polycephaly Monologues Review – ‘seamlessly combines the surreal with the naturalistic’
Tom Mackie is left amazed, but confused, by Nick Smart's juicy, absurdist work
Sia and her wig: disguise or clever marketing tool?
Wearing a wig allows Sia to hide away from fame, but it may also serve another purpose
Victory preview – ‘a truly fantastical world’
Sumptuous visuals, dark comedy and literary flair make this production one not to miss
The Kite Runner review – ‘a choreographed exuberance prose cannot achieve’
The Kite Runner is taken from page to stage in this masterful adaptation. Izzy Troth reviews.
It Happened One Night – merely antiquated, or timelessly great?
Exploring whether this classic film stands the test of time
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