Thursday 5th June 2025

Culture

CRUSH Preview: “A chaotic scramble through the teenage years”

I sat down with Hannah Eggleton, Director & Writer of CRUSH, to talk power, performance, and the making of her debut full-length play, premiering at The North Wall. Presented by...

Telling stories about telling stories: Previewing ‘The Antipodes’

In a windowless room in an abstract part of Oriel, I sat in on...

A Pelican Crossing Somewhere on Green Dragon Lane

"The passage of time is a bloodthirsty hound."

Doctor Zhivago: The banned book the CIA smuggled across the Iron Curtain

“May it make its way around the world. You are hereby invited to watch...

Hedda review – ‘stubbornly disturbing and nuanced’

The most anticipated-show of Hilary term lands with both style and substance

Self-publishing can counter literary elitism

Self-publishing is not a new phenomenon in the literary world; authors ranging from Marcel Proust to Beatrix Potter self-published books that are now integral...

The C-Bomb review – ‘the perfect antidote for those mid-term blues’

Delphine Chalmers is charmed by this self-assured, intelligent, and funny piece of student writing

“There is always more that can be done”

Oxford is still some way from addressing its mental health problem, writes Abby Ridsdill-Smith

Iraq is not a twentieth century Crusade

Oxford historian Christopher Tyerman delivers a polemic speech against rhetorical comparisons between the war on terror and the crusades

The Shape of Water – an odd romance makes perfect sense

Jonnie Barrow finds many parallels to modern issues despite The Shape of Water's period setting

Withnail and I was a buddy comedy unlike any other

An old cult film showing in Cowley proves to be more sadly relevant to the student experience than expected

Hedda: “the story of a woman who demands a better life”

We chatted to the female-identifying members of the cast and crew of Hedda to find out what the play and its protagonist mean to them

Brakes review – ‘ticklingly funny and quietly frightening’

A refreshingly home-made and honest depiction of break-ups

Disposable Perspectives – Hope and despair in the margins of Paris

Amateur photography by refugees give a personal insight into the refugee experience

Victory review – ‘Julia Pilkington’s direction places us on a knife edge’

Victory is a reminder of student theatre's capacity to thrill and chill in equal measure

Girls and Boys review – ‘a drama that not only strikes, but leaves us sizzling’ 

Tony Wilkes is wowed by an unexpected trip to see the Royal Court's latest show starring Carey Mulligan

Black Panther celebrates black culture in all its glory

Examining the social power of Marvel's latest release

‘Artivism’ review – avoidance and awkward silence

The first half had the art but the second lacked the activism.

50 Shades Freed confines and confuses its viewers

The final chapter of the sex-fuelled saga encounters problems during its climax

Don’t give up on America

There’s much more to America than the current administration. John Mainland still has faith in the US

The changing face of the Virgin

Chris Ofili's new depiction of the Virgin Mary is shocking and enticing in equal measure

Two views on love compete for our heart

A medium must be found between unreal romanticism and cold rationalism

A woman who made a difference – for better or worse

Letters from Baghdad is a film about a colonialist woman who changed the history of the Middle East

The Polycephaly Monologues Review – ‘seamlessly combines the surreal with the naturalistic’

Tom Mackie is left amazed, but confused, by Nick Smart's juicy, absurdist work

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