Culture

Jacob Collier is on scintillating form at Love Supreme

Despite being a seven-time Grammy Award winner, it was only at the 2025 Love Supreme Festival in Glynde that Jacob Collier had his first major festival headline show. Wearing his...

Music Susan Yu -

‘Pour summer in a glass’: retracing Dandelion Wine

“You did not hear them coming. You hardly heard them go. The grass bent...

The Source Cici Zhang -

Reviving the symposium at the Ashmolean Krasis programme

Dara Mohd, herself a Krasis Scholar, converses with Dr Jim Harris about his object-centred symposium program, Krasis, at the Ashmolean Museum.

Art Dara Mohd -

‘This Room Their Lives’ in Magdalen College’s Waynflete building

Every Magdalen member remembers their first encounter with the Waynflete Building. Sticking out a...

Art Josie Stern -

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I Slept In These Clothes review – ‘comics to look out for’

Fenella Sentance is thoroughly entertained by the dynamic of Verity Babbs and Chloe Jacob's comedy duo

A Review of Reviewing: of Source-Texts and Slighting

Charles Britton ponders the relationship between a borrowed script and an adapted performance in theatre criticism

I was overcome with a sense of familiarity, intermingled with strangeness

Beth James reflects on the forgotten female modernist poet, Hope Mirrlees

Oxford International Art Fair Review – Open to all

Oxford international arts fair offers a accessible approach to curation for better or worse

13 Review – ‘effectively and enjoyably portrays Bartlett’s broken Britain’

Bertie Harrison-Broninski is impressed by the ambition and scope of this drama of political intrigue and belief

Daemon Voices Lecture Review – Two generations share the same world view

Pullman and Rundell make for an oddly cohesive pair at their talk in Blackwells.

The Blinders Review – The perfect band to play at Cellar

Cellar was made for sweaty, narcotic nights like this.

Masked with laughter

The trustworthy image of the male comedian is chipped away with increasing allegations of sexual abuse

Finding the ‘Homeland’

There are questions of loyalty, identity, and ethics in this long-running show

Summer and Smoke Review – ‘re-staged inventively, but unpretentiously’

Rebecca Frecknall's musical re-imagining of William's play at the Almeida is dazzling

RSC Hamlet Review – ‘This is simultaneous creativity and destruction. To be or not to be.’

John Livesey reflects upon the Basquiat elements of this perceptive RSC production

From Cellar to worldwide fame – an interview with Objekt

TJ Hertz on small venues, diversity in techno and track ID culture.

The Crocodile review – ‘a carefully considered yet hilariously nuts production’

Cesca Echlin is left in fits after a performance of Dostoyevsky's short story

García Marquez makes magical realism realistic

Barney Pite unpacks the "tragic, brutal and cruel" world of Márquez's News of a Kidnapping

Gyaldem Sugar Review – ‘the night shined but failed to sparkle’

The much anticipated ACS Gyaldem Sugar night fails to land due to a frustrating pace and lack of women artists

Walk Like Natives review – ‘A flash-mob blending into the crowd’

A secret piece of theatre, taking place in central London, is a pure celebration of joy.

Remembering Wallace: Biography and Memory

'The End of the Tour' is a powerful biopic, but by all accounts it gets David Foster Wallace wrong. Does that matter?

The Flick review – ‘a little theatrical masterpiece’

Flick is an exceptional production that brings a thin script to vivid life

Commercialism kills artistic legacy

Jumping on the mourning bandwagon serves the market rather than the dead icon’s memory

Labyrinth preview – ‘an impressive blend of exciting text and creative movement’

Tom Mackie finds himself anything but lost in this psychomaniacal retelling of the Theseus and Ariadne myth

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Culture

Jacob Collier is on scintillating form at Love Supreme

‘Pour summer in a glass’: retracing Dandelion Wine

Reviving the symposium at the Ashmolean Krasis programme

‘This Room Their Lives’ in Magdalen College’s Waynflete building

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