Culture

Night School: Oxford’s after-hours curriculum

The first time I saw Nahom and Ethan, it wasn’t on a night out – it was an early morning. I was shuffling through the half-awake crowd when my...

Culture Maya Rybin -

‘Delusions and Grandeur’ at the Fringe

★★★⯪☆ If there is one word to describe Karen Hall’s Delusions and Grandeur, it is...

Culture Peter Hardisty -

The Oxford Revue at the Fringe

★★★⯪☆ Returning for their 62nd annual pilgrimage to the Edinburgh Fringe, the Oxford Revue rolled...

Culture Leon Moorhouse -

Academia is hell, literally: R.F. Kuang’s ‘Katabasis’

R.F. Kuang’s Katabasis touches on a range of near-universal academic experiences: impostor syndrome; frantic,...

Books Charlie Stevens -

Latest

The Writer review – ‘jumping out at you in wild, exciting, provocative vitality’

Hickson tries one formal experiment after another and each time brings a different gender-dynamic under her lens

Review: Avengers: Infinity War

Tony Stark (Robert Downey Jr) donned his iron suit for the first time a whole decade ago, establishing the groundwork for a cinematic universe...

Review – The House of Bernarda Alba

Ela Portnoy is impressed by this elegant adaptation of the Lorca masterpiece

Student film shows us a new side of Oxford

The OUFF summer showcase shows us the skill and imagination of Oxford’s own

OCTOPUS – Review

Is OCTOPUS, like the Sex Pistols are now, “just” uncontroversial protest? Or does it strike deeper than that?

Travesties review – ‘a very competent production of a fiendishly complicated play’

Roddy Howland Jackson is charmed by a dynamic, absurdist comedy of historic proportions

How do we stage Shakespeare in the digital age?

Efforts to combine the theatrical and the digital are shaping how we experience Shakespeare in the twenty-first century

‘An anthology of divergent styles that promise a skyward trajectory’

Tom Misch’s full length debut shows remarkable maturity, challenging conventional genre boundaries with verve

Lynne Ramsay reminds us that childhood isn’t a fairytale

Coming of age films are lying; our childhoods are anything but perfect

Clean Break – Theatre and the Criminal Justice System

Cesca Echlin talks to Clean Break, the theatre charity offering female offenders a means of expression

A Band With Purpose and Integrity

Shona Galt talks to the lead singer of Little Comets

New world, Old media: the aesthetic revival burns bright in Oxford

Online media may challenge the status quo, but some producers are seeking to up the quality of old media to dizzying heights

The Pitt Rivers must face its dark past

Museum director Dr. Van Broekhoven agrees that a future must be found for the Pitt Rivers' colonial history

‘Black Men Walking’ – Review

An exuberant meditation on nature, belonging, and blackness

Lysistrata Review – ‘some over-directing vitiates a few performances’

Katie Sayer's anticipation of Oriel Classics Society's interpretation of a bizarre Greek comedy turns out to be a tragedy

‘Reversed’: An interview with Lois Letchford

Kurien Parel interviews author Lois Letchford about her memoir 'Reversed' which follows the journey of her learning disabled son, Nicholas, from the bottom of the class to Oxford PHD student.

Review: The Da Vinci Code

'It still appeals to this basic impulse to find patterns and construct stories'

Don’t Look Back in Anger

The 90s was undoubtedly the greatest film decade, writes Josh Travers

Death By Murder Review – ‘an endearingly ambitious bunch of clowns’

Oxford's newest improvised comedy troupe impress in their debut show at the Pilch

Travesties Preview – ‘I have never felt so threatened by a teacup’

Isabella Welch sees a lot of promise in a dynamic adaptation of Tom Stoppard's hidden gem

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Culture

Night School: Oxford’s after-hours curriculum

‘Delusions and Grandeur’ at the Fringe

The Oxford Revue at the Fringe

Academia is hell, literally: R.F. Kuang’s ‘Katabasis’

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