Music

Your essential guide to the music of May Day

May Day: It’s unique, convivial and quintessentially Oxford. Only once a year does the city come together like it, and when that happens, it’s not one to miss out...

Music Daniel Burns -

A review of The Crux: Djo turns music into a profession

In his new album, The Crux, Djo, aka Joe Keery, perfectly inhabits and evokes...

Music Tom Cockburn -

Fontaines DC and the (re) rise of indie Sleaze

I recently took to my finsta to post a story claiming that the Fontaines...

Culture Kiaya Phillips -

Death of the Album, rise of the playlist

The album, once the definitive artistic statement in music, is being increasingly overshadowed by...

Culture Gabriella Ofo -

Latest

OxFolk Reviews: ‘Vortex’

Ben Ray reviews Methera's new album 'Vortex', and is swept away by their live Corpus performance

Beyond anger: an evening with Frank Carter

Somehow we have got to a point where modern rock music feels as if it is becoming ever more sanitised and anodyne. The idea...

Remembering Laughing Lennie

The day before I left home to come to Oxford I found a hidden stash of my parents’ records in a cupboard in the...

Preview: Tremor at Modern Art Oxford

Edward Mair looks forward to Tremor, a space where different genres and arts collide

Jon Boden at the O2: Painted Lady and other folk

Ben Ray discusses folk music legend Jon Boden's latest album Painted Lady and performance at the O2 Academy

“Smash the shit out of it”

Ellen Peirson-Hagger talks to The Big Moon about their manic tour

Review: Common People Oxford

Oxford’s May Bank Holiday festival offering is sun-drenched and musically eclectic

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Music

Your essential guide to the music of May Day

A review of The Crux: Djo turns music into a profession

Fontaines DC and the (re) rise of indie Sleaze

Death of the Album, rise of the playlist

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