Music

Night School: Oxford’s after-hours curriculum

The first time I saw Nahom and Ethan, it wasn’t on a night out – it was an early morning. I was shuffling through the half-awake crowd when my...

Culture Maya Rybin -

Oxford Commas at the Fringe – Interview

The Oxford Commas are a contemporary gender-inclusive a capella group who had their Fringe...

Culture Lara Machado -

‘Aca-demic Weapons’ at the Fringe: Oxford Commas Review

★★★★☆ A capella groups from Oxford have long been favourites at the Edinburgh Fringe, with...

Culture Alexander Kwon -

St Anne’s goes All-Steinway: A purposeful and bold commitment to music

In a move that lives up to its motto of ‘Consulto et Audacter’ (purposefully...

Culture Miriam Hussain -

Latest

George Michael: a tribute to the man of words

Natalia Bus remembers the lyrical genius of the late pop legend

The Oxford Alternotives’ Christmas release: a mingling of warmth and humour

Natalia Bus finds the Oxford Alternotives' Christmas cover both playful and heartfelt

‘Last Christmas’: a lingering recollection

Emma Leech gets lost in a musical memory

The ultimate soundtrack to your revision

Dom Saad recommends albums to sweat and slave to this Christmas vac

Live review: Biffy Clyro at London’s O2 arena

Romilly Mavin is impressed by Biffy Clyro’s mingling of energy and intimacy at the close of their UK tour

Live review: Fickle Friends at the Bullingdon

Akshay Bilolikar escapes rainy Oxford for sunny Los Angeles with Fickle Friends

OxFolk reviews: ‘Here We Go 1, 2, 3’

“Here we go, 1, 2, 3, hold your hands out to me…” so opens this beautifully formed album ‘Here We Go 1, 2, 3’...

OxFolk reviews: ‘Cold Old Fire’

There aren’t many folk groups that can claim to have originated in an ‘experimental psychedelic folk punk duo’, but then again Lynched, the self-styled...

Live review: Frank Turner at Oxford’s New Theatre

Sandy Elliot tries to rock out to Frank Turner & the Sleeping Souls in a venue not quite suited to rock 'n' roll antics

Top 10 songs of 2016

Dom Saad navigates a profusion of genres and artists in his picks of 2016

Review: D.I.D – The State We’re In

Natalia Bus feels the weight of D.I.D's long-awaited second album

OxFolk reviews: ‘a bit of blue’

There is something irresistibly lovable about Emily Maguire’s voice – it seems to swell silence the world around it, putting everything out of focus...

OxFolk reviews: Life in a Paper Boat

Ben Ray finds surprises in well-renowned folk musician Kate Rusby's new album Life in a Paper Boat

A pioneer erased: Sister Rosetta Tharpe

Alice Townson argues that the innovative rock and roll talent should be discussed as unique in her own right

OxFolk Reviews: ‘Vortex’

Ben Ray reviews Methera's new album 'Vortex', and is swept away by their live Corpus performance

Beyond anger: an evening with Frank Carter

Somehow we have got to a point where modern rock music feels as if it is becoming ever more sanitised and anodyne. The idea...

Remembering Laughing Lennie

The day before I left home to come to Oxford I found a hidden stash of my parents’ records in a cupboard in the...

Preview: Tremor at Modern Art Oxford

Edward Mair looks forward to Tremor, a space where different genres and arts collide

Jon Boden at the O2: Painted Lady and other folk

Ben Ray discusses folk music legend Jon Boden's latest album Painted Lady and performance at the O2 Academy

“Smash the shit out of it”

Ellen Peirson-Hagger talks to The Big Moon about their manic tour

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Music

Night School: Oxford’s after-hours curriculum

Oxford Commas at the Fringe – Interview

‘Aca-demic Weapons’ at the Fringe: Oxford Commas Review

St Anne’s goes All-Steinway: A purposeful and bold commitment to music

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